Letter from the editors: Introducing the community contacts form
We're launching a community contacts form to better source from diverse voices within the Stanford community.
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Jared Klegar
Jared Klegar is a Staff Writer for Arts & Life and a member of the Diversity, Equity and Inclusion team. Born and raised in New York City, he looks forward to the day when live theater can resume safely. Contact him at jklegar 'at' stanforddaily.com.
Books for Women’s History Month
In the spirit of Women’s History Month, Reads beat writers suggest some of their favorite female-authored texts, each of which offers unique and complex insights into themes of gender and being a woman in the world.
The show must go on
Stanford's dancers, thespians and musicians persisted and innovated to continue pursuing their passions online.
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Screen’s picks for Black History month
In honor of Black History month, below are recommendations from Screen beat writers for films and television shows written or directed by Black creators.
Black History Month: Important 2010s albums by Black musicians (part 2)
Most of all, this article is a celebration: We want to express admiration for artists who have touched the lives of countless listeners through their songs.
Black History Month: Important 2010s albums by Black musicians (part 1)
Black History Month is an incredible opportunity for everyone living in America to celebrate the achievements of Black people and to learn about key figures and events in Black history. As young music lovers, we wanted to write about the music we know most intimately: albums released in the 2010s.
“Even if you can do it, should you?” Researchers talk combating bias in artificial intelligence
Artificial intelligence researchers discussed how racial and social inequities can be compounded through technology at a Wednesday event.
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Constitutions and utopias: What America means to me in the dawn of a new era
Both “Constitution” and “American Utopia” open up the world of theater to new audiences, democratizing an art form usually reserved for rich urban dwellers.
The Daily’s Halloween movie picks
This is the movie that cemented rage zombies into our cultural lexicon, pivoting away from slow-shambling creeps and instead leaning into a fast-paced terror the whole way through. It’s a master of the spook that you can see a long time coming — and yet are still shocked by. “28 Days” merely uses the creepiness of its zombies as a backdrop as it delves into the horrors of our own humanity, lending us a long-lasting feeling of deep uneasiness.
Borat is up to his old tricks in a new and divided America
Is “Borat Subsequent Moviefilm” an accurate portrayal of this hectic year? Probably. But will we look back on this sequel as an insightful time capsule, or as an outdated flick of little consequence?
In ‘Dick Johnson Is Dead,’ father and daughter confront death on their own terms
“Dick Johnson Is Dead” is a wonderful ode to life and loss and how we narrativize our tragedies to make sense of them. But sometimes it gets too wrapped up in inventing these narratives for its own good.
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