Sunday, November 17th, 2024

Reviews

SVSA Culture Night celebrates customs and creates community

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April 25, 2019

‘Guava Island’ is the new musical model

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April 24, 2019

‘Game Of Thrones’ S8E2 is slow and incompetent

Nitish Vaidyanathan

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April 24, 2019

‘Game of Thrones’ return is properly messy

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April 23, 2019

In ‘Shame,’ Ingmar Bergman examines evil in ordinary people

Amir Abou-Jaoude

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April 22, 2019

‘What is Not Yours is Not Yours’ exquisitely enchants and eludes

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April 18, 2019

American culture is under fire in ‘The Big Heat’

Amir Abou-Jaoude

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April 16, 2019

‘The Addams Family’ is a macabre marvel

Jacob Kuppermann

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April 15, 2019

‘Detour’ provides a dark commentary on dreams and destiny

Amir Abou-Jaoude

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April 12, 2019

Bay Area high school students participate in ‘Hamilton’ education event

Chloe Wintersteen

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April 8, 2019

The shimmering tonal ambivalence of Billie Eilish

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April 5, 2019

In constructing a deconstruction — ‘City of Glass’ as the detective novel’s autopsy

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April 4, 2019

‘Selkie Stories are for Losers’ is a bittersweet winner

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April 3, 2019

‘Death in Venice’ documents the decline of the bourgeoisie

Amir Abou-Jaoude

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April 2, 2019

At 17 years old, Billie Eilish may have the album of the year

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March 29, 2019

Trying my hand at reading the menu like a linguist

Sofia Schlozman

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March 25, 2019

Gaspar Noé’s ‘Climax’ is a chaotic triumph, not for the faint of heart

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March 18, 2019

With ‘Double Vision,’ Olivia Popp ’21 envisions new creative paths

Jacob Kuppermann

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March 14, 2019

‘In The Heights’ is a stunning debut from Latinx in Theater

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March 13, 2019

‘Captain Marvel’ is almost marvelous

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March 8, 2019