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Spotlight

Not your ordinary gala, part 2

Chasity Hale
  •  
June 14, 2018

Chloe Zhao’s ‘The Rider’ is riveting

Hayley Hodson
  •  
June 9, 2018

Tony Award-winning ‘Jersey Boys’ brings toe-tapping nostalgia to the Bay Area

Olivia Popp
  •  
June 8, 2018

‘Solo’ will satisfy Star Wars fans

Noah Howard
  •  
June 8, 2018

A BottleRockin’ hit: A convergence of music, food and art

Alli Cruz
  •  
June 7, 2018

Despite logistical challenges, Clusterfest brings gut-busting laughs to San Francisco

Samantha Wong and Olivia Popp
  •  
June 6, 2018
Arts & Life

‘Beast’ lacks bite but leaves audiences haunted

Olivia Popp
  •  
May 31, 2018

Throwback Thursday: Sergei Parajanov’s ‘The Color of Pomegranates’ is a mystifying masterpiece

Maxwell Menzies
  •  
May 31, 2018

‘The Color Purple’ revival stuns and dazzles, emotionally and theatrically

Olivia Popp
  •  
May 30, 2018

Janelle Monáe proves she’s human after all on ‘Dirty Computer’

Jacob Nierenberg
  •  
May 30, 2018

‘Deadpool 2’ is rife with blood, sweat and nonsense

Noah Howard
  •  
May 24, 2018

Can U2 reclaim its punk heritage without relying on past hits?

Jacob Nierenberg
  •  
May 17, 2018

Director Michel Hazanavicius on ‘Godard Mon Amour,’ politics in cinema and distinguishing between art and artist

Amir Abou-Jaoude
  •  
May 16, 2018

‘Pacific Rim: Uprising’ doesn’t one-up the original

Noah Howard
  •  
May 14, 2018

The crew of Cru, part 2

Samantha Wong
  •  
May 10, 2018

The crew of Cru: part 1

Samantha Wong
  •  
May 8, 2018

Blackfest 2018 brings together 2 Chainz, Dreezy in raucous fun

Jacob Kuppermann
  •  
May 7, 2018

Overcoming algorithms

Sam Rogers
  •  
May 6, 2018

The MEME index: exploring nationwide university meme pages

Olivia Popp
  •  
May 5, 2018

Trying to understand poetry with Louise Glück, part 1

Shana E. Hadi
  •  
May 4, 2018
The Stanford Daily

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