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Spotlight

CATHY YANG/The Stanford Daily

Clickbait Philosophy: What you DON’T KNOW about mid-century phenomenology can KILL YOU.

Sam Rogers
  •  
Feb. 13, 2018
Sterling K. Brown '98. (Courtesy of Nathan Johnson)

An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists

Olivia Popp
  •  
Feb. 13, 2018
Stegner Fellow Richie Hofmann. (Courtesy of Joe Hofmann Photography)

February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr

Claire Thompson
  •  
Feb. 13, 2018
(Courtesy of Frank Chen)

‘The Last Five Years’: A gorgeously staged musical about falling in and out of love

Chasity Hale
  •  
Feb. 12, 2018
Courtesy of Wikimedia Commons

Revisiting Siken

Maddie Kim
  •  
Feb. 11, 2018
Right to left: Forrest Goodluck, Sasha Lane and Chloë Grace Moretz in "The Miseducation of Cameron Post." (Courtesy of Sundance Institute)

Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films

Olivia Popp
  •  
Feb. 9, 2018
"Monogram" (1955-59) by Robert Rauschenberg, on display at the San Francisco Museum of Modern Art's exhibition "Robert Rauschenberg: Erasing the Rules." (Courtesy of SFMOMA)

Rob and I: Rauschenberg at SFMOMA

Mac Taylor
  •  
Feb. 7, 2018
Courtesy of Narcissister

Sundance 2018, part 4: Exploring the nontraditional

Olivia Popp
  •  
Feb. 5, 2018
Dichen Lachman, left, as Jiaying, the Chinese-born mother of Daisy Johnson, right (Chloe Bennet). Both Lachman and Bennet identify as mixed race. (Courtesy of ABC)

Who am I, really? Mixed race identities in television and media

Olivia Popp and Alli Cruz
  •  
Feb. 5, 2018
Jen (Matilda Lutz) seeks vengeance for her rape in "Revenge." (Courtesy of Rezo Films)

Sundance 2018, part 3: The Festival’s darkest films, reviewed

Olivia Popp
  •  
Feb. 3, 2018
Courtesy of Richard Chambers

‘Ready, fire, aim’: A talk with Disney producer Don Hahn

Olivia Popp
  •  
Feb. 1, 2018
A film still from "Hale County This Morning, This Evening" by RaMell Ross, an official selection of the U.S. Documentary Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Insitute | photo by IDIOM Film/RaMell Ross.

Sundance 2018, part 2: Valladares’ take on ‘Hale County,’ ‘You Were Never Really Here,’ ‘Leave No Trace’

Carlos Valladares
  •  
Jan. 31, 2018
SCOTT ROTH/Shutterstock

The 2018 Sundance Film Festival, part 1

Sabrina Medler
  •  
Jan. 30, 2018
Courtesy of Stanford University

Language and identity in the Holy Land

Anat Peled
  •  
Jan. 29, 2018
Arts & Life
Daisy Ridley as Rey in "The Last Jedi." (DAVID JAMES/Lucasfilm Ltd.)

Movies in Conversation: ‘The Last Jedi’

Elaine Kim and Isaac Vaught
  •  
Jan. 25, 2018
CRAIG ONEAL/Wikimedia Commons

Tree-Mix, Volume 6: Old, but new to you

Arts & Life Music Beat writers
  •  
Jan. 22, 2018
Courtesy of Phil Kidd

The Original Winter One Acts 2018 beautifully ponders the human condition

Mell Chhoy
  •  
Jan. 22, 2018
Courtesy of Pixabay

Duncan Wood tries to find himself with his debut EP, ‘where am i’

Jacob Nierenberg
  •  
Jan. 16, 2018
Courtesy of Paris Review

Exploring beginnings in Mary Ruefle’s ‘Madness, Rack, and Honey’

Maddie Kim
  •  
Jan. 16, 2018
Björk on an acoustic tour. (SANTIAGO FELIPE/Wikimedia Commons)

Björk’s ‘Utopia’ is full of love

Jacob Nierenberg
  •  
Jan. 16, 2018
The Stanford Daily

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