Sunday, November 17th, 2024

Theater

‘A Brimful of Asha’ gives us a taste of uber-relatable culture clash

•

Nov. 27, 2017

The 2017 rendition of ‘Gaieties’ lives up to the hype

•

Nov. 22, 2017

[wit]’s production of ‘Hamlet’ brings ‘scorched earth’ to a whole new level

•

Nov. 17, 2017

On effect vs. intent of alienation in ‘Katzelmacher’

•

Nov. 13, 2017

Stanford queens: The art of drag

•

Nov. 12, 2017

Celebrating Jewish determination: A second take on TheatreWorks’ ‘The Prince of Egypt’

•

Nov. 8, 2017

‘The Prince of Egypt’ shines artistically but battles with representation

•

Oct. 30, 2017

Xandra Ibarra’s ‘Nude Laughing’ is much more than a few giggles

•

Oct. 25, 2017

Christopher Chen’s ‘A Tale of Autumn’ contorts reality and perception

•

Oct. 9, 2017

Comedic sizzle trumps lackluster racial discussion in ‘Barbecue’

•

Oct. 2, 2017

OSF pt. 3: Jiehae Park’s masterful ‘Hannah and the Dread Gazebo’ tackles a multifaceted Korean American experience

•

Sept. 25, 2017

Opening doors for arts careers: Stanford’s Summer Internship Program in Arts Administration

•

Aug. 27, 2017

OSF pt. 2: ‘Disney’s Beauty and the Beast’ is an enchanting classic

•

Aug. 14, 2017

OSF pt. 1: Shaking up Shakespeare with ‘Henry IV, Part 1’ and ‘Julius Caesar’

•

Aug. 10, 2017

Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty

Alessandro R.L. Hall

•

June 6, 2017

Does ‘Disrupt!’ disrupt? A few thoughts on Ram’s Head’s original musical

Madelaine Bixler

•

June 5, 2017

Living while funny: an appreciation of Tina Fey and Amy Poehler

•

June 4, 2017

‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience

Elizabeth Gerson

•

June 2, 2017

Q&A: Daveed Diggs muses on fame, the accessibility of theater

Olivia Popp and Carlos Valladares

•

May 26, 2017

‘No Hero’ at Roble Gym is ‘a multimedia masterwork’

•

May 25, 2017