Sunday, November 17th, 2024

Visual Arts

Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art

•

Oct. 29, 2017

Nina Katchadourian drops a sick beat and sicker dial tone

•

Oct. 26, 2017

On sustained silences in Sappho and abstract expressionism

•

Oct. 24, 2017

Word, wound, world: Innovations in storytelling in ‘With Those We Love Alive’

•

Oct. 22, 2017

Under smoky skies, community members share ‘Rooted Words’ on the Farm

Claire Thompson

•

Oct. 18, 2017

‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity

•

Oct. 18, 2017

Hope Gangloff’s portraits fuse intimacy and fine art

•

Oct. 17, 2017

Spencer Finch’s ‘Betelgeuse’ inspires childlike awe

Angelica Jopling

•

Oct. 16, 2017

Colliding indoors: Ai Weiwei’s ‘Hansel & Gretel’ at NYC’s Park Avenue Armory

•

Aug. 28, 2017

More than just flowers: Georgia O’Keeffe at the Art Gallery of Ontario

•

July 30, 2017

Cold jazz: Stuart Davis is ‘In Full Swing’ at the de Young

Carlos Valladares

•

April 26, 2017

At the de Young: Danny Lyon’s ‘Message to the Future’ and ‘The Summer of Love’

Carlos Valladares

•

April 26, 2017

Alexander Nemerov: Stanford’s art history preacher

Carlos Valladares

•

April 7, 2017

Students de-stress at the Anderson Collection

•

March 20, 2017

At the Cantor: ‘Warhol Unframed’ dismantles pop image of pop legend

•

March 5, 2017

Video: Anderson Collection visitors make their own “soundsuits”

•

Dec. 12, 2016

‘Object Lessons’: A crash course in modern Chinese brush painting

•

Nov. 29, 2016

Exhibit: Bruce Conner’s ‘It’s All True’ is destructive, brilliant and everything in between

•

Nov. 11, 2016

‘New to the Cantor’ packs a visual punch

•

Oct. 24, 2016

Cantor Arts Center gears up for the fall

•

Oct. 7, 2016