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Visual Arts
Ai Weiwei brings humanity to the refugee crisis in ‘Human Flow’
Mac Taylor
•
Nov. 2, 2017
Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art
Mac Taylor
•
Oct. 29, 2017
Nina Katchadourian drops a sick beat and sicker dial tone
Julia Gordon
•
Oct. 26, 2017
On sustained silences in Sappho and abstract expressionism
Shana E. Hadi
•
Oct. 24, 2017
Word, wound, world: Innovations in storytelling in ‘With Those We Love Alive’
Ashley Huang
•
Oct. 22, 2017
Under smoky skies, community members share ‘Rooted Words’ on the Farm
Claire Thompson
•
Oct. 18, 2017
‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity
Julia Gordon
•
Oct. 18, 2017
Hope Gangloff’s portraits fuse intimacy and fine art
Shannen Torres
•
Oct. 17, 2017
Spencer Finch’s ‘Betelgeuse’ inspires childlike awe
Angelica Jopling
•
Oct. 16, 2017
Colliding indoors: Ai Weiwei’s ‘Hansel & Gretel’ at NYC’s Park Avenue Armory
Mac Taylor
•
Aug. 28, 2017
More than just flowers: Georgia O’Keeffe at the Art Gallery of Ontario
Olivia Popp
•
July 30, 2017
Cold jazz: Stuart Davis is ‘In Full Swing’ at the de Young
Carlos Valladares
•
April 26, 2017
At the de Young: Danny Lyon’s ‘Message to the Future’ and ‘The Summer of Love’
Carlos Valladares
•
April 26, 2017
Alexander Nemerov: Stanford’s art history preacher
Carlos Valladares
•
April 7, 2017
Students de-stress at the Anderson Collection
Nicole Aw
•
March 20, 2017
At the Cantor: ‘Warhol Unframed’ dismantles pop image of pop legend
Eva Hong
•
March 5, 2017
Video: Anderson Collection visitors make their own “soundsuits”
Angela Luo
•
Dec. 12, 2016
‘Object Lessons’: A crash course in modern Chinese brush painting
Eric Huang
•
Nov. 29, 2016
Exhibit: Bruce Conner’s ‘It’s All True’ is destructive, brilliant and everything in between
Starr Jiang
•
Nov. 11, 2016
‘New to the Cantor’ packs a visual punch
Eric Huang
•
Oct. 24, 2016
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