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Album Review: “Course of the Inevitable” by Lloyd Banks
Nick Sligh
•
June 22, 2021
Arts & Life
Album Review: “El Dorado” by 24kGoldn
Nick Sligh
•
June 21, 2021
Arts & Life
‘I want it to be, like, messy’: Reviewing Olivia Rodrigo’s album, ‘SOUR’
Nicole Tong
•
June 1, 2021
Music
Album Review: ‘Pray for Haiti’ by Mach-Hommy
Nick Sligh
•
May 27, 2021
Arts & Life
St. Vincent’s sixth album “Daddy’s Home” self-consciously spins the music of 1970s icons
Lily Nilipour
and
Kira Jan
•
May 26, 2021
Arts & Life
My 10 favorite albums from Asian/Asian American musicians since 2010: Preface, Honorable Mentions, #10 and #9
Young Fenimore Lee
•
May 24, 2021
Arts & Life
EP Review: ‘Be Right Back’ by Jorja Smith
Nick Sligh
•
May 24, 2021
Arts & Life
Live music returns to Stanford with Philharmonia performance on Meyer Green
Peyton Lee
•
May 23, 2021
Arts & Life
Album Review: ‘The Off-Season’ by J. Cole
Nick Sligh
•
May 16, 2021
Arts & Life
Q&A: Musician Charlie Kogen ’23 delves deeper into his album, artistic evolution
Ron Rocky Coloma
•
May 16, 2021
Arts & Life
YouTube musician Dodie hits hard with debut album ‘Build a Problem’
Peyton Lee
•
May 13, 2021
Arts & Life
Top 15 J. Cole Songs of All Time (Part 2)
Nick Sligh
•
May 12, 2021
Arts & Life
Top 15 J. Cole Songs of All Time (Part 1)
Nick Sligh
•
May 12, 2021
Arts & Life
‘Hardheaded’: A conversation with Marcellus Juvann on his upcoming EP
Nick Sligh
•
May 6, 2021
Arts & Life
Album review: ‘Angelic Hoodrat: Supercut’ by Kenny Mason
Nick Sligh
•
May 4, 2021
Arts & Life
Cordae builds hype for sophomore album with release of ‘Just Until’ EP
Nick Sligh
•
April 29, 2021
Arts & Life
Album review: ‘La Maquina’ by Conway the Machine
Nick Sligh
•
April 25, 2021
Arts & Life
Album Review: ‘Don’t Go Tellin’ Your Momma’ by Topaz Jones
Nick Sligh
•
April 22, 2021
Arts & Life
Taylor Swift’s re-recording of ‘Fearless’ is polished
Malia Mendez
•
April 22, 2021
Arts & Life
The music of U.S. Girls: Radical feminism, LINGUA IGNOTA and sexual violence
Young Fenimore Lee
•
April 20, 2021
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