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Music
Sophie’s Summer Playlists: Alternative anthems and classic throwbacks
Sophie Kroesche
  •  
Aug. 14, 2018
St. Lawrence String Quartet presents final 2018 “Midday Masters” concert
Jonathan Liu
  •  
July 12, 2018
The Stanford Jazz Workshop Launches its 47th Annual Jazz Festival
Jonathan Liu
  •  
July 4, 2018
Tony Award-winning ‘Jersey Boys’ brings toe-tapping nostalgia to the Bay Area
Olivia Popp
  •  
June 8, 2018
A BottleRockin’ hit: A convergence of music, food and art
Alli Cruz
  •  
June 7, 2018
The Patience of Pusha T
Jacob Kuppermann
  •  
May 31, 2018
Janelle Monáe proves she’s human after all on ‘Dirty Computer’
Jacob Nierenberg
  •  
May 30, 2018
Jack White’s ‘Boarding House Reach’ is a confounding disappointment
Jacob Nierenberg
  •  
May 15, 2018
The Breeders: a cross-generational appeal
Dylan Grosz
  •  
May 14, 2018
What to look out for at Eurovision 2018
Ugur Dursun
  •  
May 10, 2018
Blackfest 2018 brings together 2 Chainz, Dreezy in raucous fun
Jacob Kuppermann
  •  
May 7, 2018
EAGLEBABEL’s newly-remastered EPs are a reminder of his talent
Jacob Nierenberg
  •  
May 3, 2018
The best independent music of 2018 (so far!)
Jacob Kuppermann
  •  
May 1, 2018
The 80s are back, but which 80s?
Nick Burns
  •  
April 30, 2018
A quick and dirty crash course to Stanford’s major art practice organizations
Olivia Popp
  •  
April 26, 2018
Gabrielle Aplin evolves without abandoning her charm on ‘Avalon’ EP
Jourdann Fraser
  •  
March 26, 2018
Where is all the good music in 2018?, part 2
Jacob Nierenberg
  •  
March 8, 2018
Where is all the good music in 2018?, part 1
Jacob Nierenberg
  •  
March 8, 2018
A night of listening and remembering
Chasity Hale
  •  
March 7, 2018
A Night with the Bumper Jacksons
Chasity Hale
  •  
March 5, 2018
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