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On Campus

Four-part harmony: Stanford students share 2018 a cappella audition experiences

Natalie Francis
  •  
Oct. 23, 2018

‘Contact Warhol’ illuminates the artist’s ingeniousness

Amir Abou-Jaoude
  •  
Oct. 18, 2018

‘Dystopian Dream’ is an aggressively digestible dance piece

Olivia Popp
  •  
Oct. 9, 2018

Nick Thune brings slow comedy to Bing Studio

Olivia Popp
  •  
Oct. 1, 2018

Volunteers maintain historic cactus garden

Gianella Ordonez
  •  
Aug. 22, 2018

We Shot the War: Overseas Weekly in Vietnam shows the person behind the photo

Jasmine Venet
  •  
Aug. 12, 2018

‘Betray the Secret: Humanity in the Age of ‘Frankenstein’’ at the Cantor Arts Center

Jonathan Liu
  •  
Aug. 8, 2018

‘The Baltic Way’ exhibition commemorates 100 years of history

Sophie Kroesche
  •  
Aug. 7, 2018

Review: Anderson Collection screens ‘Eva Hesse’

Amy Lin
  •  
Aug. 5, 2018

‘Hecuba/Helen’ is mesmerizing but lacking impact

Minh-Anh Day
  •  
July 30, 2018

“Like Father, Like Son” tackles the meaning of family

Helen Chao
  •  
July 24, 2018

What does it mean to have Black hair at Stanford?

Paula McCloud
  •  
July 23, 2018

St. Lawrence String Quartet presents final 2018 “Midday Masters” concert

Jonathan Liu
  •  
July 12, 2018

‘LIYANA’ fuses youthful fantasy and stark reality

Jasmine Venet
  •  
July 6, 2018

The Stanford Jazz Workshop Launches its 47th Annual Jazz Festival

Jonathan Liu
  •  
July 4, 2018
A group of cast members in front of a stage curtain.

Ghosts of CHAN

Olivia Popp
  •  
July 3, 2018

Cardinal Studios creates ‘Psychobabble’ and ‘Cardboard Therapy’

Amy Lin
  •  
July 3, 2018

Valladares: In a sentimental mood

Carlos Valladares
  •  
June 14, 2018

Not your ordinary gala, part 2

Chasity Hale
  •  
June 14, 2018

‘The Ocean & the Avenue’: an antidote to deadened Marvel cinema

Carlos Valladares
  •  
May 25, 2018
The Stanford Daily

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