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On Campus
‘Marat/Sade’ is jarring, unorthodox and utterly fascinating
Minh-Anh Day
•
March 2, 2018
Tales from the war on hunger: Ambassador Ertharin Cousin shares hope and hard truths
Claire Thompson
•
Feb. 28, 2018
Dancing for an excellent cause
Chasity Hale
•
Feb. 22, 2018
Art++: The Beach Boys meets an ‘Italian Summer’
Reily Haag
•
Feb. 21, 2018
‘The Fever’ aims to make you feel innately human
Olivia Popp
•
Feb. 21, 2018
The Split $ubject: Modern Thought and Literature between gender performativity and psychoanalysis, part 2
Joe Goodhew
•
Feb. 15, 2018
Art++: Mary’s Place
Ali Vaughan
•
Feb. 14, 2018
An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists
Olivia Popp
•
Feb. 13, 2018
February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr
Claire Thompson
•
Feb. 13, 2018
‘The Last Five Years’: A gorgeously staged musical about falling in and out of love
Chasity Hale
•
Feb. 12, 2018
The Split $ubject: Who’s your daddy, MTL? Between gender performativity and psychoanalysis
Joe Goodhew
•
Feb. 7, 2018
Sharing Culture, Sharing Strength: a benefit show by Cardinal Calypso, Stanford Talisman and Catch-a-Fyah
Claire Thompson
•
Jan. 23, 2018
The Original Winter One Acts 2018 beautifully ponders the human condition
Mell Chhoy
•
Jan. 22, 2018
‘The Misfits,’ Marilyn Monroe’s final film, is bleak perfection
Carlos Valladares
•
Jan. 18, 2018
Marilyn Monroe’s final film screens on campus
Carlos Valladares
•
Jan. 11, 2018
Breaking Ground: a Harry Potter dance delight
Mell Chhoy
•
Jan. 8, 2018
Where to spend your meal plan dollars during Week 10
Blake Sharp
•
Dec. 9, 2017
Stanford Theater Lab’s ‘Angels in America, pt. 1’ sparkles with heavenly life
Lora Supandi
•
Dec. 9, 2017
Comedy’s controversial hero T.J. Miller delights audiences at Dinkelspiel
Olivia Popp
•
Dec. 9, 2017
The future of food: Impossible Foods’ meat alternatives
Claire Thompson
•
Dec. 4, 2017
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