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Theater
Silicon Valley Shakespeare performs ‘Antony and Cleopatra’ in Sanborn Park
Shannon O'Hara
•
July 31, 2015
Don’t cry for me, Stanford: TAPS takes on ‘Evita’
Madeline MacLeod
•
May 29, 2015
Stan Shakes breathes new life into ‘Much Ado about Nothing’
Madelaine Bixler
•
May 26, 2015
The Freeks’ ‘Bacchae’ is a compelling choose-your-own-adventure play
Steve Rathje
•
May 21, 2015
AATP’s Heartwarming and Heartbreaking “Stop Kiss”
Steve Rathje
•
May 16, 2015
‘All My Sons’ sallies forth
Madeline MacLeod
•
May 13, 2015
Behind the Scenes: ‘The Fierce Urgency of Now’
Madelaine Bixler
•
May 8, 2015
‘The Last Five Years’ prompts audiences to question the romantic ideal
Madelaine Bixler
•
May 6, 2015
Celebrating female power with ‘The Vagina Monologues’
Madeline MacLeod
•
May 5, 2015
Oprah on performing and producing theater and film
Steve Rathje
•
April 27, 2015
‘Hairspray’ brings racial dialogue to the world of Stanford theater
Madelaine Bixler
•
April 17, 2015
Campus arts groups marred by lack of performance space
Steve Rathje
•
April 15, 2015
To digitize or not to digitize: That is the question
Ian Anstee
•
April 9, 2015
Behind the scenes: Costuming in Ram’s Head’s ‘Hairspray’
Madeline MacLeod
•
April 8, 2015
Cutting Ball’s ‘Antigone’ focuses on the visual
Noemi Berkowitz
•
March 15, 2015
Lagalante’s new musical, ‘Mirror Image,’ moves despite narrative flaws
Madelaine Bixler
•
March 9, 2015
TAPS makes Hamlet its own
Madeline MacLeod
•
March 9, 2015
‘Newsies’ at SHN Orpheum Theatre: Thoroughly entertaining but hollow
Ian Anstee
•
March 5, 2015
The case for circus at Stanford
Madelaine Bixler
•
March 4, 2015
‘Watsonville’ creatively asserts immigrant identity
Steve Rathje
•
March 3, 2015
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