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On Campus Arts
Theater review: ‘The Telling Project’ adds much-needed nuance to the veteran narrative
Madelaine Bixler
  •  
Feb. 25, 2016
Theater review: ‘Antony & Cleopatra’ is a knockout StanShakes performance
Madeline MacLeod
  •  
Feb. 25, 2016
Black Love: An audience in action
Joshua Seawell
  •  
Feb. 22, 2016
On ‘Shirley,’ an old soul says goodbye
Benjamin Sorensen
  •  
Feb. 16, 2016
Nufonia Must Fall comes to life at Bing
Benjamin Sorensen
  •  
Feb. 7, 2016
T∆PE GHØST’s explorations of sound as eternity
Benjamin Sorensen
  •  
Jan. 25, 2016
Complex roots: Rooney Pitchford’s debut “Familiar Places”
Tyler Dunston
  •  
Jan. 24, 2016
Sarah Reich: Tapping in for a terrific time
Serena Wong
  •  
Jan. 13, 2016
Who is Eli Arbor? Ten revelations from ‘IDols’
Jacob Nierenberg
  •  
Jan. 13, 2016
‘IDols’ and identity: Eli Arbor’s stunning debut
Benjamin Sorensen
  •  
Jan. 13, 2016
Noname Gypsy: Running from paradise
Tess Michaelson
  •  
Dec. 1, 2015
Noname Gypsy’s EBF takeover
Benjamin Sorensen
  •  
Nov. 20, 2015
The Outsiders and Real People Music get the whole world talkin’ at XOX
Tyler Dunston
  •  
Nov. 18, 2015
Davenport Landing hits the ground running
Serena Wong
  •  
Nov. 16, 2015
Stanford Symphony Orchestra fills Bing with feeling
Serena Wong
  •  
Nov. 10, 2015
Arswain and TAPE GHØST reshape dance music at Kairos
Tyler Dunston
  •  
Nov. 9, 2015
Elhae, a born entertainer
Tess Michaelson
  •  
Nov. 8, 2015
Davenport Landing is your new favorite student band
Serena Wong
  •  
Nov. 2, 2015
MixedCo mixes in alumni for 30th anniversary show
Joshua Seawell
  •  
Oct. 30, 2015
A dream affirmed: CONNIE.K drops ‘Daylight Savings’
Benjamin Sorensen
  •  
Oct. 22, 2015
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