Disney

Jesse McCartney. (Courtesy of Wikimedia Commons)

Jesse McCartney bridges nostalgia and modern relevance at Dinkelspiel

Jourdann Fraser
  •  
Nov. 9, 2017
(Courtesy of Demi Lovato)

Demi Lovato expands creatively but not without growing pains on ‘Tell Me You Love Me’

Jourdann Fraser
  •  
Oct. 23, 2017
Belle (Jennie Greenberry, center) leads the ensemble in song in the Oregon Shakespeare Festival's 2017 production of 'Disney's Beauty and the Beast' (Photo by Jenny Graham).

OSF pt. 2: ‘Disney’s Beauty and the Beast’ is an enchanting classic

Olivia Popp
  •  
Aug. 14, 2017
The Grind
Illustrated by Na He Jeon.

The death of a romantic

Arianna Lombard
  •  
March 10, 2017
Our "Moana" heroes! Courtesy of Walt Disney Pictures.

Film review: Masterful ‘Moana’ defies the Disney formula

Elaine Kim
  •  
Dec. 1, 2016
George Clooney in the Coen Brothers' "Hail, Caesar!", one of Reed's favorites for the 2015-16 academic year. (Courtesy of Universal Pictures)

Five films to define the 2015-16 academic year

Reed Canaan
  •  
May 30, 2016
John Magaro is Ervin Maske in Disney's "The Finest Hours." (Courtesy of Disney)

Film review: VFX can’t save ‘The Finest Hours’ from sinking

Reed Canaan
  •  
Feb. 1, 2016
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Diversity and Hollywood

Mysia Anderson
  •  
Oct. 27, 2015
Courtesy of Walt Disney Studios.

Disney’s “Maleficent” unfolds the innocent past of the “Sleeping Beauty” antihero

Mei-Hsin Cheng
  •  
June 2, 2014
Arts & Life
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Top 5 movies to see over spring break

Intermission Staff
  •  
March 13, 2013
Arts & Life
Courtesy of Disney Pictures

Reviews: ‘The Odd Life of Timothy Green’

Alexandra Heeney
  •  
Aug. 16, 2012
Arts & Life
Courtesy of Walt Disney Pictures

Review: ‘John Carter’

Louis Lagalante
  •  
March 14, 2012
Arts & Life
Courtesy of Joan Marcus

A brand new ‘Beauty’

Alexandra Heeney
  •  
March 9, 2012
Arts & Life
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Demi Lovato: Unbroken

Andrea Hinton
  •  
Sept. 20, 2011
Arts & Life
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Review: ‘Cars 2’

Mei-Hsin Cheng
  •  
June 30, 2011
Opinions
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I Have Two Heads: The Terrible Twenty-Somethings

Rachel Kolb
  •  
Feb. 8, 2011
The Stanford Daily

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