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horror
Arts & Life
Celebrating Halloween with “Carmilla,” blurring lines between the rational and the supernatural
Fyza Parviz Jazra
•
Oct. 27, 2021
The Grind
My American horror story: How I became haunted
Jen Ehrlich
•
Oct. 28, 2020
Arts & Life
‘P.T.’: A chilling gaming experience
Noah Howard
•
Feb. 5, 2020
Arts & Life
‘Parasite’ will have you buzzing to the #Bonghive
Olivia Popp
•
Sept. 17, 2019
‘Happy Death Day 2U’ is a happy accident
Kaycee Branche
•
Feb. 22, 2019
‘The Haunting of Hill House’ combines scares with compelling characters
Kaycee Branche
•
Oct. 30, 2018
The Grind
When horror movies aren’t scary enough
Clara Spars
•
Oct. 10, 2018
Kicking off Shark Week with ‘Jaws’ and the Hollywood Bowl Orchestra
Olivia Popp
•
July 25, 2018
Horror literature picks for November
Arts & Life Reads beat writers
•
Nov. 3, 2017
Even Michael Fassbender can’t save ‘The Snowman’ from its cold, lifeless narrative
Noah Howard
•
Oct. 27, 2017
Blumhouse Productions disappoints with ‘Happy Death Day,’ a slapdash bore
Zak Sharif
•
Oct. 18, 2017
Cat people and leopard men: Val Lewton at the Stanford Theatre
Carlos Valladares
•
April 1, 2017
Film review: ‘Lights Out’ chills — and how!
Liz Ketcham
•
July 30, 2016
Teens and screams: David Robert Mitchell’s slick slasher flick ‘It Follows’
Raymond Maspons
•
March 20, 2015
Director William Eubank discusses his film “The Signal”
Alicia Hamar
•
June 2, 2014
Arts & Life
Review: ‘Fright Night’
Eliana Carmona
•
Aug. 19, 2011
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