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horror

Arts & Life
“P.T.” unfolds in a series of puzzles, some obtuse, others clever, each nightmare-inducing. (Photo: Konami)

‘P.T.’: A chilling gaming experience

Noah Howard
  •  
Feb. 5, 2020
Arts & Life
Cho Yeo-jeong as the wealthy matriarch in Bong Joon-ho's "Parasite." (Courtesy of NEON)

‘Parasite’ will have you buzzing to the #Bonghive

Olivia Popp
  •  
Sept. 17, 2019
In "Happy Death Day 2U," the intrepid Tree Gelbman must once again outwit a ruthless killer (courtesy of Universal Pictures).

‘Happy Death Day 2U’ is a happy accident

Kaycee Branche
  •  
Feb. 22, 2019
"The Haunting of Hill House" is based on Shirley Jackson's classic novel (courtesy of Netflix).

‘The Haunting of Hill House’ combines scares with compelling characters

Kaycee Branche
  •  
Oct. 30, 2018
The Grind
Courtesy of Pexels.

When horror movies aren’t scary enough

Clara Spars
  •  
Oct. 10, 2018
The LA Philharmonic plays at the Hollywood Bowl. (Courtesy of the Los Angeles Philharmonic)

Kicking off Shark Week with ‘Jaws’ and the Hollywood Bowl Orchestra

Olivia Popp
  •  
July 25, 2018
lovecraft

Horror literature picks for November

Arts & Life Reads beat writers
  •  
Nov. 3, 2017
Michael Fassbender in "The Snowman." (Courtesy of Universal Pictures)

Even Michael Fassbender can’t save ‘The Snowman’ from its cold, lifeless narrative

Noah Howard
  •  
Oct. 27, 2017
Tree Gelbman (Jessica Rothe) screams in Blumhouse Productions' newest film, "Happy Death Day" (Courtesy of Universal Pictures).

Blumhouse Productions disappoints with ‘Happy Death Day,’ a slapdash bore

Zak Sharif
  •  
Oct. 18, 2017
Poster - Cat People (1942)_06

Cat people and leopard men: Val Lewton at the Stanford Theatre

Carlos Valladares
  •  
April 1, 2017
A typical scene from James Wan's and David Sandberg's "Lights Out" (Courtesy of Warner Bros.)

Film review: ‘Lights Out’ chills — and how!

Liz Ketcham
  •  
July 30, 2016
IF_02

Teens and screams: David Robert Mitchell’s slick slasher flick ‘It Follows’

Raymond Maspons
  •  
March 20, 2015
Courtesy of Alicia Hamar.

Director William Eubank discusses his film “The Signal”

Alicia Hamar
  •  
June 2, 2014
Arts & Life
cardinal-red-daily-s-logo

Review: ‘Fright Night’

Eliana Carmona
  •  
Aug. 19, 2011
The Stanford Daily

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