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Movie

Screen
Four individuals stand in front of a green, moss-covered wall with two dark rectangular openings. There is a boy, a girl, a woman, and a man holding a glowing cube.

‘A Minecraft Movie’ may craft something new

Sebastian Strawser
  •  
Sept. 24
Screen
screen with text reading "FLiCKS"

FLiCKS ‘Get Out’ Screening

Emma Kexin Wang
  •  
June 2
Screen
Scene from the flicks screening of Saltburn with drawings of milk jug, toilet paper and water squirts added.

Milk, mayhem and murder: FLiCKS returns with ‘sensational’ ‘Saltburn’ screening

Cameron Duran
  •  
April 15
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A pink outline of a girl with symbols representing girlhood around the outline.

‘Good’ Girlhood: Down but not out in the ‘Slums of Beverly Hills’

Blyss Cleveland
  •  
April 8
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A graphic of a man riding a horse. The text in the foreground says "Talk Horror to Me" and "Nope."

Talk Horror to Me: Documenting trauma in ‘Nope’ (2022)

Emma Kexin Wang
  •  
Feb. 12
Screen
Drawing of three girls against a pink backdrop

The new ‘Mean Girls’ falls flat, but not without something ‘fetch’ for Gen Z

Katie Mannion and Annie Virsik
  •  
Jan. 31
Arts & Life
Person wearing 3D movie glasses reflecting scenes from "Singin' in the Rain," eating popcorn, with backdrop of music notes

The Sound of Cinema: ‘Singin’ in the Rain’ transforms dancing and splashing into musical joy

Anthony Martinez Rosales
  •  
Jan. 11
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The photo of a hand in the dark, with the text "Talk Horror to me" written in the foreground.

Talk Horror to Me: Misdirected forms of human connections in ‘Talk to Me’

Emma Kexin Wang
  •  
Nov. 8
Screen
An actress dressed in black standing in a hazy corridor

‘The Watchful Eye’ lead Mariel Molino talks character differences, career and working with Kelly Bishop

Ellen Abraham
  •  
March 25, 2023
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Pictured: Stanford Film Society (Cameron Lange (left), Isabelle Cashe (Middle), Adrian Feinberg (Right))

Stanford Film Society is back — and has big plans

Lauren Boles
  •  
Feb. 12, 2023
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Brendan Fraser depicted with a black backdrop and text to the left that says "The Whale."

‘The Whale’ sinks, but Fraser makes waves

Kirsten Mettler
  •  
Feb. 6, 2023
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A drawing of the outline of a father and son sitting on the couch watching TV together. The background is black with the outlines drawn in white. At the bottom of the drawing are the words "films my father loves."

Films My Father Loves: In spite of everything, ‘Life is Beautiful’

Allan Lopez
  •  
Feb. 1, 2023
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Adam Sandler, bearded, walks in a large glass building with a large Philadelphia 76ers logo statue behind him.

Making it to the top: A review of Jeremiah Zagar’s ‘Hustle’

Shafiul Haque
  •  
Sept. 27, 2022
Screen
Text at bottom reads: "Don't Worry Darling." Cut-outs of Harry Styles, left, and Florence Pugh, right, in red carpet make-up and attire sit over a green background with blue and red brush marks.

Mis-flow: ‘Don’t Worry Darling’ exposes the troubling state of Hollywood

Peyton Lee
  •  
Sept. 25, 2022
Screen
Silhouette of person running through marsh; background of person looking straight ahead, enlarged

“Where the Crawdads Sing” loses the details but keeps the heart of a tragic story

Aslıhan Alp
  •  
Aug. 16, 2022
Arts & Life
Chris Pratt holds his hand up to a dinosaur.

“Jurassic World: Dominion” fails to dominate expectations as trilogy finale

Sophie Mo
  •  
Aug. 16, 2022
Arts & Life
Graphic of a clapperboard (used in movie production for audio syncing/knowing which take is which) with the text: "Combing the 100% Club: 'Leave No Trace'". Also on the clapperboard are three tomatoes.

Combing the 100% Club: ‘Leave No Trace’ balances social critique with gentle hope

Malia Mendez
  •  
June 7, 2022
Arts & Life
Green title text for the film, spelling "Morbius"

‘Morbius’ sucks: meet the Sony/Marvel vampire flop

Kirsten Mettler
  •  
April 6, 2022
Humor
Empty seats of a theater.

A few questions for the creators of ‘No Time to Die’

Benjamin Midler
  •  
Oct. 13, 2021
Film
Christopher Nolan writes on a wall in chalk.

The genius of filmmaking: Christopher Nolan’s 11 movies, ranked

Aslıhan Alp
  •  
Aug. 24, 2021
The Stanford Daily

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