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narrative

The Grind
Top-down view of braided hair.

Answering six common questions about Afro-textured hair

Ecy King
  •  
Jan. 24, 2022
Opinions
Three rows of a bookshelf, stacked full of books.

From the Community | Surviving storms with the narrative self

Christy Hartman
  •  
July 28, 2021
Opinions
Wassily Kandinsky (1926) "Several Circles"

Opinion | Our columnists on ego and narratives

Hannah H. Kim, Kamil Aftyka and Adrian Liu
  •  
May 31, 2021
Arts & Life
Screenshots of readers on zoom: Andrew Goulet (left), Michelle Robinson (middle) and Héctor Hoyos (right).

Literary scholars draw parallels between crime fiction, current events

Jed Ngalande
  •  
May 2, 2021
Opinions

Opinion | Narrativizing your Stanford

Zora Ilunga-Reed
  •  
March 7, 2021
headshot of author R.O. Kwon

Longing and obsession in R.O. Kwon’s ‘The Incendiaries’

Lily Zhou
  •  
Feb. 22, 2021
The Grind
Beyond language, or faith, or brownness, being Iraqi-American is marked by a weight— the weight of warmth and heat, of histories past and present, of pain, of dreams and longing. (Photo: Pixabay)

What is my heritage? (Prose edition)

Nora Mousa
  •  
Oct. 25, 2020
Arts & Life
Jasmine Liu '20 heard the San Francisco Symphony perform Mahler's Sixth Symphony at Davies Symphony Hall. (Photo: Wikimedia Commons)

Ways of listening to a symphony

Jasmine Liu
  •  
Oct. 4, 2019
The Grind
Courtesy of Pexels.com

Belonging as an Asian American

Helena Zhang
  •  
April 11, 2019
Rebecca Sun, a senior reporter at The Hollywood Reporter (left), talks with “Crazy Rich Asians” screenwriter Adele Lim (right) at the 2018 Confluence Summit hosted by Winston Baker in Menlo Park. (OLIVIA POPP/The Stanford Daily)

‘Crazy Rich Asians’ screenwriter, VR leaders unite at second annual Confluence Summit

Olivia Popp
  •  
Nov. 9, 2018
Emily Wan/The Stanford Daily

Classy Classes: MUSIC 25 offers new approaches to anime

Emily Wan
  •  
Oct. 30, 2018
This year, all Stanford freshmen read novels focusing on the themes of globality and migration (courtesy of L.A. Cicero).

Lingering thoughts on the Three Books

Arts & Life Reads beat writers
  •  
Oct. 11, 2018
(left to right) Michelle Talgarow as Blythe, Greg Ayers as Joshua, Karen Offereins as Mary, Sean Fenton as Christopher and Rinabeth Apostol as Charlotte in "Two Mile Hollow." (Courtesy of Annie Wang)

‘Two Mile Hollow’ is a delightfully vicious reversal of classically white theater

Caro Asercion
  •  
July 1, 2018
(ELENA SHAO/The Stanford Daily)

In FSI talk, Nick Clegg reflects on Brexit

Elena Shao
  •  
May 9, 2018
Courtesy of Focus Features

‘Brokeback Mountain’: More than 20 years later, the film and short story redefine queerness

Olivia Popp
  •  
May 4, 2018
Courtesy of Veronica Chambers

Food and memory with Veronica Chambers

Claire Thompson
  •  
March 21, 2018
Courtesy of Alfred Knopf

Milkman, the universe revolves around you! Shish-kebab storytelling and ‘Song of Solomon’

Mark York
  •  
March 5, 2018
Right to left: Forrest Goodluck, Sasha Lane and Chloë Grace Moretz in "The Miseducation of Cameron Post." (Courtesy of Sundance Institute)

Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films

Olivia Popp
  •  
Feb. 9, 2018
cardinal-red-daily-s-logo

Clickbait Philosophy: Everything you thought you knew about ethics IS WRONG

Cameron Hubbard
  •  
Feb. 6, 2018
Ritidian Beach - Guam National Wildlife Refuge. (Laura Beuregard/U.S. FISH & WILDLIFE SERVICE)

Six books you’ve read before, but not like this

Claire Francis
  •  
Nov. 27, 2017
The Stanford Daily

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