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Pigott Theater
Culture
Playing in the sand: Digging deep in ‘Box of Sand’
Bhumikorn Kongtaveelert
•
May 7
Culture
‘Sweeney Todd’: a darkly hilarious take on Sondheim’s murderous musical
Kristofer Nino
•
May 16, 2023
Culture
‘Snow in Midsummer’: How far is one willing to go for family obligations?
Alexa Figueroa
•
May 8, 2023
Arts & Life
Nut allergy ballad thrills audience at Stanford Improvisors performance
Shreya Komar
•
Oct. 9, 2022
Culture
Stanford Drag Troupe’s ‘Celestial Excellence’: Campy ‘genderfuckery’ in all its glory
Lydia Wei
•
Feb. 21, 2022
Culture
‘The Manic Monologues’ tells stories of pain and resilience
Kaylee Beam
•
May 25, 2019
Who’s crazy?: ‘Next to Normal’ is devastating and uplifting at once
Minh-Anh Day
•
March 8, 2018
TAPS’ ‘Rosencrantz And Guildenstern Are Dead,’ an all-around fantastic production
Steve Rathje
•
Feb. 23, 2015
TAPS exposes the nature of humanity through its gripping production of ‘A Kingdom, A Country or a Wasteland, In the Snow’
Ian Anstee
•
Nov. 13, 2014
Theater Review: Stanford Repertory Theater’s “Moby Dick—Rehearsed”
Andrea Tam
•
July 23, 2014
A conversation with Pulitzer Prize winner Lynn Nottage
Gillie Collins
•
March 6, 2014
Multimedia
Students prepare for Winter One Acts
The Daily Photo Staff
•
Jan. 18, 2012
Trimpin previews upcoming show
Ivy Nguyen
•
May 6, 2011
The Stanford Daily
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