Pigott Theater

Culture
Stanford students sing and dance on the Piggott Theatre stage, bathed in red lights.

‘True North’: Gripping, hilarious and a feat to behold

Allie Skalnik
  •  
Jan. 15
Culture
From left to right: Medium Alison (Alexis Tuchinda ’28), Adult Alison (Lyle Belger ’25 MA ’26), and Small Alison (Maddie Garfinkel ’28) stand together on stage.

In ‘Fun Home,’ art mediates the unraveling of a family mystery

Daniel Xu
  •  
Nov. 20
Culture
Photo of students rehearsing for Jessica Korobkin's ’27 musical “Fading In.”

Original musical ‘Fading In’ by Jessica Korobkin ’27 opens conversation around eating disorders

Audrey Chang
  •  
Feb. 11, 2025
Culture
Photo from the Box of Sand performance, two silhouettes and a pair of hands show on an orange background.

Playing in the sand: Digging deep in ‘Box of Sand’

Bhumikorn Kongtaveelert
  •  
May 7, 2024
Culture
The cast of Stanford Light Opera Company's "Sweeney Todd" take their bows on Pigott Theater's stage.

‘Sweeney Todd’: a darkly hilarious take on Sondheim’s murderous musical

Kristofer Nino
  •  
May 16, 2023
Culture
A boy in a red shirt and black blazer faces the audience of TAPS' performance of "Snow in Midsummer." A girl in a white dress in a large, cage-like structure stands behind him.

‘Snow in Midsummer’: How far is one willing to go for family obligations?

Alexa Figueroa
  •  
May 8, 2023
Arts & Life
Six performers in varying outfits (a brown dress, a red jacket with checkerboard pants, etc.) sit and stand on stage. Illuminated by stage light, they all gaze engagedly at the two standing performers at the middle left.

Nut allergy ballad thrills audience at Stanford Improvisors performance

Shreya Komar
  •  
Oct. 9, 2022
Culture
Drag performer St. Andrew performing on stage. (Photo courtesy of Frank Chen)

Stanford Drag Troupe’s ‘Celestial Excellence’: Campy ‘genderfuckery’ in all its glory

Lydia Wei
  •  
Feb. 21, 2022
Culture
Zack Burton and Elisa Hofmeister created "The Manic Monologues" to dispel stigma surrounding mental illness (courtesy of Frank Chen).

‘The Manic Monologues’ tells stories of pain and resilience

Kaylee Beam
  •  
May 25, 2019
Courtesy of Frank Chen

Who’s crazy?: ‘Next to Normal’ is devastating and uplifting at once

Minh-Anh Day
  •  
March 8, 2018
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TAPS’ ‘Rosencrantz And Guildenstern Are Dead,’ an all-around fantastic production

Steve Rathje
  •  
Feb. 23, 2015
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TAPS exposes the nature of humanity through its gripping production of ‘A Kingdom, A Country or a Wasteland, In the Snow’

Ian Anstee
  •  
Nov. 13, 2014
Rod Gnapp as Ahab. Photo by Frank Chen.

Theater Review: Stanford Repertory Theater’s “Moby Dick—Rehearsed”

Andrea Tam
  •  
July 23, 2014
Courtesy of David Shankbone.

A conversation with Pulitzer Prize winner Lynn Nottage

Gillie Collins
  •  
March 6, 2014
Multimedia
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Students prepare for Winter One Acts

The Daily Photo Staff
  •  
Jan. 18, 2012
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Trimpin previews upcoming show

Ivy Nguyen
  •  
May 6, 2011
The Stanford Daily

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