Rear Window

Screen
Boy holding camera with image of man holding camera in lens.

‘Rear Window’ exemplifies a brilliantly crafted thriller

Mason Barrett
  •  
March 3, 2025
Brian de Palma's "Sisters" centers around a mysterious murder (courtesy of Janus Films).

De Palma steals from the masters in ‘Sisters’

Amir Abou-Jaoude
  •  
Nov. 30, 2018
Marilyn Monroe shows the boys who's boss at paddleball in a lobby card for John Huston's THE MISFITS (1961). Courtesy of Jerry Murbach.

‘The Misfits,’ Marilyn Monroe’s final film, is bleak perfection

Carlos Valladares
  •  
Jan. 18, 2018
The Grind
(FEBE MARTINEZ/The Stanford Daily)

All the world’s a stage, and I hate it: On interpersonal performativity

Claire Francis
  •  
Nov. 15, 2017
Photo: McKENZIE LYNCH/The Stanford Daily.

The Stanford Theatre: Blast from the Past, and Key to the Future

Carlos Valladares
  •  
Nov. 5, 2016
The Stanford Theatre, 221 University Ave. (GABRIELLA GROTH/The Stanford Daily)

Hitchcock at the Stanford Theater

Carlos Valladares
  •  
March 30, 2016
(Courtesy of Cohen Media Group)

Film review: ‘Hitchcock/Truffaut’ is no revelation

Carlos Valladares
  •  
Dec. 7, 2015
The Stanford Daily

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