story

Culture
TheatreWorks Silicon Valley’s “Come From Away” production is showing from April 15 to May 10. (Courtesy of Kevin Berne)

TheatreWorks Silicon Valley’s ‘Come From Away’ comes from a good place

Kyle Gerstel
  •  
April 29
The Grind
Losing the em dash to ChatGPT has marked a turning point for trust in stories, Sokamoto writes. (Courtesy of Wikimedia Commons)

In memory of ‘—’

Emi Sakamoto
  •  
Oct. 1
The Grind
Outdoor park basketball court in the rain

Story as a verb

Chris Vinasco
  •  
April 15, 2025
Reads
Stephanie Horvath and Rogelio Juárez sit side-by-side in chairs holding microphones. (

Horvath and Juárez offer a Stegner Fellow Reading ‘like no other’

Cate Burtner
  •  
March 3, 2025
Reads
Heart-shaped pages of a book

‘Daughter of Ruins’ portrays women’s perseverance through an ode to its author’s Grecian home

Leyla Yilmaz
  •  
Jan. 12, 2025
Reads
The Leland Quarterly "LQ" logo is in big read letters against a white background. There is a Stanford tree in the Q.

Literary magazine Leland Quarterly opens doors to creative expression and student publication

Katie Small
  •  
Dec. 6, 2024
Reads
Hand drawing of a winding stream with a bench next to it and two flying birds against a soft yellow background.

‘Tell Me Everything’ ponders the power of human connection

Kelly Wang
  •  
Oct. 1, 2024
The Grind
Black and white photo of people sitting in a circle, each with a foot in.

CS 83N, and my experiences with Playback Theater

Arshya Gaur
  •  
April 3, 2023
Opinions
A banner with an iceberg in the sea, with text reading "Beyond Sex Ed: There's More to the Story."

Beyond Sex Ed: Knowing Love

Michelle Hull
  •  
Sept. 24, 2020
Arts & Life
cardinal-red-daily-s-logo

The Tragedy of Gerald Neesh: Act III

j
  •  
May 15, 2019
Columnists
cardinal-red-daily-s-logo

The Tragedy of Gerald Neesh: Act II

j
  •  
May 14, 2019
Opinions
cardinal-red-daily-s-logo

The Tragedy of Gerald Neesh: Act I

j
  •  
May 13, 2019
Arts & Life
Award-winning author Sofia Samatar explores an ancient Scottish myth in "Selkie Stories Are for Losers" (courtesy of Jim C. Hines).

‘Selkie Stories are for Losers’ is a bittersweet winner

Shana E. Hadi
  •  
April 3, 2019
The Grind
Courtesy of Pexels.com.

The final story of Stanford

Katiana Uyemura
  •  
Dec. 3, 2018
Rebecca Sun, a senior reporter at The Hollywood Reporter (left), talks with “Crazy Rich Asians” screenwriter Adele Lim (right) at the 2018 Confluence Summit hosted by Winston Baker in Menlo Park. (OLIVIA POPP/The Stanford Daily)

‘Crazy Rich Asians’ screenwriter, VR leaders unite at second annual Confluence Summit

Olivia Popp
  •  
Nov. 9, 2018
The Grind
Courtesy of Pexels

Your life as a story

Angela Zhao
  •  
Oct. 23, 2018
Hannah Ronca/The Stanford Daily

Daoud’s Facebook post, originally threatening to ‘physically fight’ Zionists, sparks debate

Holden Foreman
  •  
July 22, 2018
Amy Adams in "Arrival." (Courtesy of Paramount Pictures)

Movie adaptations: Fraudulent or faithful?

Arts & Life Reads beat writers
  •  
Feb. 13, 2018
Sarah Mlynowski's "Gimme a Call." (Courtesy of Barnes & Noble)

Gimme a call (or don’t): Relatable narratives in young adult literature

Claire Francis
  •  
Nov. 7, 2017
lovecraft

Horror literature picks for November

Arts & Life Reads beat writers
  •  
Nov. 3, 2017
The Stanford Daily

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