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Student Music
Music
Mixed Company unites anti-romantics for ‘Love Sucks’
Helen Katz
•
March 6, 2024
The Grind
Musings from a Groupie: ‘Bitch Cup’
Annie C. Reller
•
Dec. 4, 2022
Arts & Life
Danny Ritz ’23 on his first EP, love and the binary numbers system
Valerie Trapp
•
Oct. 8, 2020
Renaissance man: Abijah Archer ’20 and the collision of music and activism
Esther Tsvayg
•
March 2, 2017
En route to Monterey, Stanford’s jazz’s next generation stops at CoHo
Benjamin Sorensen
•
March 24, 2016
Black Love: An audience in action
Joshua Seawell
•
Feb. 22, 2016
T∆PE GHØST’s explorations of sound as eternity
Benjamin Sorensen
•
Jan. 25, 2016
Complex roots: Rooney Pitchford’s debut “Familiar Places”
Tyler Dunston
•
Jan. 24, 2016
Arswain Finds a New Voice in “Spokesmachine”
Clare Flanagan
•
Jan. 21, 2016
‘IDols’ and identity: Eli Arbor’s stunning debut
Benjamin Sorensen
•
Jan. 13, 2016
Davenport Landing hits the ground running
Serena Wong
•
Nov. 16, 2015
Davenport Landing is your new favorite student band
Serena Wong
•
Nov. 2, 2015
A dream affirmed: CONNIE.K drops ‘Daylight Savings’
Benjamin Sorensen
•
Oct. 22, 2015
Don’t forget about Jae
Benjamin Sorensen
•
Sept. 24, 2015
EAGLEBABEL’s “Odes” out now
Benjamin Sorensen
•
June 13, 2015
The Outsiders come out swinging
Benjamin Sorensen
•
May 28, 2015
A democratic ensemble: The Stanford Collaborative Orchestra
Serena Wong
•
May 26, 2015
The Stanford Soundtrack shines a light on student music
Benjamin Sorensen
•
May 20, 2015
The Stanford Daily
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