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Sundance Film Festival

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Basil Tsiokos behind purple gradient background

Q&A: How Basil Tsiokos ’95 picks films for Sundance

Grace Zhou
  •  
Sept. 23, 2024
Screen
The entrance to Lowell Public High School in San Francisco

‘Try Harder!’ is a concerning glimpse into the world of competitive college admissions

Eric Zhu
  •  
April 7, 2022
Arts & Life
(Courtesy of Sundance Institute)

Sundance 2021, part 7: ‘Flee’

Olivia Popp
  •  
June 3, 2021
Arts & Life
Emilia Jones in Siân Heder’s “CODA.” (Courtesy of Sundance Institute.)

Sundance 2021, part 6: ‘CODA’

Olivia Popp
  •  
June 2, 2021
Arts & Life
Image courtesy of Nanu Segal.

Sundance 2021, part 5: ‘Marvelous and the Black Hole’

Julie Fukunaga
  •  
June 1, 2021
Arts & Life
(Courtesy of the Sundance Institute)

Sundance 2021, part 4: ‘On the Count of Three’ and ‘Prime Time’

Olivia Popp
  •  
April 28, 2021
Arts & Life
(Photo: Sundance Institute)

Sundance 2021, part 3: ‘Mayday’ review

Olivia Popp
  •  
April 26, 2021
Arts & Life
Album cover featuring staircase with people

Album Review: ‘Don’t Go Tellin’ Your Momma’ by Topaz Jones

Nick Sligh
  •  
April 22, 2021
(Photo: Sundance Institute)

Sundance 2021, part 2: ‘The World to Come’ review

Olivia Popp
  •  
Feb. 23, 2021
Woman sits at the middle of a hot pink pool floatie in a red bathing suit

Sundance 2021, part 1: ‘Pleasure’ (2021)

Julie Fukunaga
  •  
Feb. 18, 2021
Arts & Life
Pictured: Scenes from the Sundance movies "I Carry You With Me" (left) and "Zola" (right). (Graphic: CHASITY HALE/The Stanford Daily) (Photo: Sundance Institute, A24)

Sundance 2020, part 3: What we’re eagerly awaiting

Olivia Popp
  •  
Aug. 29, 2020
Arts & Life
St. Vincent and Carrie Brownstein star as fictionalized versions of themselves in "The Nowhere Inn." (Courtesy of Sundance Institute)

Sundance 2020, part 1: St. Vincent’s ‘The Nowhere Inn’ is fan-service, but who’s complaining?

Julie Fukunaga
  •  
Feb. 5, 2020
Arts & Life
Courtesy of Entertainment One

Filmfest Hamburg, part 3: Keira Knightley thriller ‘Official Secrets’

Olivia Popp
  •  
Nov. 20, 2019
A film still from "Hale County This Morning, This Evening" by RaMell Ross, an official selection of the U.S. Documentary Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Insitute | photo by IDIOM Film/RaMell Ross.

Sundance 2018, part 2: Valladares’ take on ‘Hale County,’ ‘You Were Never Really Here,’ ‘Leave No Trace’

Carlos Valladares
  •  
Jan. 31, 2018
SCOTT ROTH/Shutterstock

The 2018 Sundance Film Festival, part 1

Sabrina Medler
  •  
Jan. 30, 2018
A scene from Greg Whiteley's "Most Likely to Succeed." Photo by Gabriel Patay courtesy of Sundance Institute.

Our schools are broken: An interview with director Greg Whiteley about his Sundance doc ‘Most Likely to Succeed’

Alexandra Heeney
  •  
Feb. 6, 2015
Homesick

The highs and lows of being a member of the press at Sundance 2015

Alexandra Heeney
  •  
Feb. 6, 2015
The basement of Jordan Hall, previously converted into a makeshift prison for Philip Zimbardo's 1971 study. Photo by Nafia Chowdhury.

The legacy of The Stanford Prison Experiment lives on at Sundance

Diana Le
  •  
Feb. 6, 2015
Shorts Program QA at the Egyptian

A weekend at the Sundance Film Festival with SFS

Noemi Berkowitz
  •  
Feb. 5, 2015
Tony Revolori, Kiersey Clemons and Shameik Moore star in "Dope." Photo by David Moir, courtesy of Sundance Institute.

Sundance 2015: promising black auteurs emerge but with disappointing films

Alexandra Heeney
  •  
Feb. 4, 2015
The Stanford Daily

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