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theater
Culture
‘SpongeBob’ soaks up silliness
Cameron Duran
•
April 24
Culture
‘Yakuman Chance’: Girl talk at its finest
Dan Kubota
•
March 14
Screen
Movie musical renaissance or regression?
Charlotte Burks
•
Feb. 22
Culture
Falling out of love in ‘Juliet and Romeo’
Lydia Wei
•
Feb. 5
The Grind
‘Curry and Pepper’: Theater
Alice Fang
•
Jan. 31
Music
‘First Night at the Opera/Edges’: Belting about theater, unrequited love and college
Eric Wang
•
Jan. 26
Screen
Remembering Andre Braugher ’84: A magnificent man and his magnificent work
Cameron Duran
•
Dec. 23
Arts & Life
Letter from the Editors: Bringing the arts into the spotlight in Intermission
Linda Liu
and
Sofia Gonzalez-Rodriguez
•
Dec. 6
Culture
Raising the curtain: Unveiling the 130-year history of ‘Gaieties’
Lauren Boles
•
Dec. 6
Culture
TAPS’s ‘For Now’: A theatrical respite from toxic productivity
Charlotte Kearns
•
Dec. 3
Culture
BLACKstage explores ‘Love and Information’ through situational comedy
Charlotte Kearns
•
Dec. 3
Culture
2023 ‘Gaieties’ pokes fun at Stanford controversies, student experiences
Dan Kubota
•
Nov. 20
Culture
19th century classic, reimagined: Morality meets generational divide in ‘Mrs. Warren’
Charlotte Kearns
•
Oct. 23
The Grind
An invitation to reconsider: The role of the theater
Yonatan Laderman
•
June 7, 2023
The Grind
An invitation to reconsider: The role of the critic
Yonatan Laderman
•
June 6, 2023
Culture
‘Snow in Midsummer’: How far is one willing to go for family obligations?
Alexa Figueroa
•
May 8, 2023
The Grind
‘The Literature of the Absurd’: Nothing to be done
Doran Goldman
•
April 27, 2023
Culture
‘Just dive in’: BLACKstage staff on building community through theater
Ximena Sanchez Martinez
•
April 12, 2023
The Grind
CS 83N, and my experiences with Playback Theater
Arshya Gaur
•
April 3, 2023
The Grind
‘The Literature of the Absurd’: A leafless tree
Doran Goldman
•
March 13, 2023
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