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theater
‘Dystopian Dream’ is an aggressively digestible dance piece
Olivia Popp
•
Oct. 9, 2018
The Grind
Stories of Stanford: Jessica Fry, Broadway performer
Katiana Uyemura
•
Sept. 28, 2018
On Easy Street with the Hollywood Bowl production of ‘Annie’
Olivia Popp
•
Aug. 2, 2018
‘Mamma Mia 2!’ is a sparkly, escapist sensation for the summer
Valerie Wu
•
July 26, 2018
Cupcake Theater’s ‘Spring Awakening’ finds its footing in a strong vocal cast
Olivia Popp
•
July 18, 2018
Ghosts of CHAN
Olivia Popp
•
July 3, 2018
Sterling K. Brown urges graduates to ‘shine’ by pursuing their calling
Hannah Knowles
•
June 17, 2018
A quick and dirty crash course to Stanford’s major art practice organizations
Olivia Popp
•
April 26, 2018
The Grind
Testing the waters: How to start being politically active
Serena Soh
•
March 9, 2018
Arts & Life
[wit]’s production of ‘Hamlet’ brings ‘scorched earth’ to a whole new level
Olivia Popp
•
Nov. 17, 2017
Celebrating Jewish determination: A second take on TheatreWorks’ ‘The Prince of Egypt’
Julia Gordon
•
Nov. 8, 2017
‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience
Elizabeth Gerson
•
June 2, 2017
‘No Hero’ at Roble Gym is ‘a multimedia masterwork’
Alli Cruz
•
May 25, 2017
‘Autobiography of a Terrorist’ seeks to redefine preconceptions, misconceptions and reality
Olivia Popp
•
May 25, 2017
A tale of two sisters: ‘You for Me for You’ questions truth and reality in North Korea
Olivia Popp
•
May 19, 2017
BLACKstage’s ‘Ragtime’ reverberates with hope and strife
Alli Cruz
•
May 14, 2017
‘Saint Joan of the Stockyards’ gives power to the people
Alessandro R.L. Hall
•
May 5, 2017
The Grind
5 things that happen when you open a show
Matt Bernstein
•
April 19, 2017
Love and hamsters: ‘Breeders’ explores the definition of family
Alessandro R.L. Hall
•
April 16, 2017
Ram’s Head Theatrical Society’s ‘Wild Party’ brings out the party animal in us all
Alli Cruz
•
April 14, 2017
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