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Arts & Life
‘What is Not Yours is Not Yours’ exquisitely enchants and eludes
Shana E. Hadi
•
April 18, 2019
Arts & Life
American culture is under fire in ‘The Big Heat’
Amir Abou-Jaoude
•
April 16, 2019
Arts & Life
‘The Addams Family’ is a macabre marvel
Jacob Kuppermann
•
April 15, 2019
Arts & Life
‘Detour’ provides a dark commentary on dreams and destiny
Amir Abou-Jaoude
•
April 12, 2019
Arts & Life
Meredith Monk’s ‘Cellular Songs’ and ways of living
Adrian Liu
•
April 9, 2019
Arts & Life
Bay Area high school students participate in ‘Hamilton’ education event
Chloe Wintersteen
•
April 8, 2019
Arts & Life
The shimmering tonal ambivalence of Billie Eilish
Adrian Liu
•
April 5, 2019
Arts & Life
In constructing a deconstruction — ‘City of Glass’ as the detective novel’s autopsy
Mark York
•
April 4, 2019
Arts & Life
‘Selkie Stories are for Losers’ is a bittersweet winner
Shana E. Hadi
•
April 3, 2019
Arts & Life
‘Death in Venice’ documents the decline of the bourgeoisie
Amir Abou-Jaoude
•
April 2, 2019
Arts & Life
At 17 years old, Billie Eilish may have the album of the year
Holden Foreman
•
March 29, 2019
Arts & Life
Gaspar Noé’s ‘Climax’ is a chaotic triumph, not for the faint of heart
Marika Tron
•
March 18, 2019
Arts & Life
With ‘Double Vision,’ Olivia Popp ’21 envisions new creative paths
Jacob Kuppermann
•
March 14, 2019
Arts & Life
Making Lin-Manuel Miranda’s music soar in ‘In the Heights’
Natalie Francis
•
March 8, 2019
Arts & Life
Unveiling ‘The Vela’: An interview with Becky Chambers, S. L. Huang and Yoon Ha Lee (Part 2)
Shana E. Hadi
•
March 7, 2019
Arts & Life
Unveiling ‘The Vela’: An interview with Becky Chambers, S. L. Huang and Yoon Ha Lee (Part 1)
Shana E. Hadi
•
March 6, 2019
Arts & Life
The Harmonics melodiously muse on the ‘mood’ of winter quarter
Natalie Francis
•
March 5, 2019
Arts & Life
‘Sex Education’ is compulsory viewing
Caroline Keyes
•
March 4, 2019
Woolf, witches and wives: Coming of age through archetype
Claire Francis
•
Feb. 27, 2019
Scorsese uses allusion to conjure up ‘The Age of Innocence’
Amir Abou-Jaoude
•
Feb. 26, 2019
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