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Culture
Arts & Life
SF International Tea Festival brews up good drinks
Olivia Popp
  •  
Nov. 16, 2017
Fun on the Farm: Twenty-five years of Earth systems
Claire Thompson
  •  
Nov. 15, 2017
Student art meets student passion in the juried exhibition ‘InTransit’
Shannen Torres
  •  
Nov. 15, 2017
Arts Jam: Come for the coffee, crafts and community
Mell Chhoy
  •  
Nov. 13, 2017
Arts & Life
On effect vs. intent of alienation in ‘Katzelmacher’
Olivia Popp
  •  
Nov. 13, 2017
Stanford queens: The art of drag
Lora Supandi
  •  
Nov. 12, 2017
‘The Fallacy of Fairness’: Dissecting biases in academic science with Dr. Jo Handelsman
Claire Thompson
  •  
Nov. 9, 2017
Celebrating Jewish determination: A second take on TheatreWorks’ ‘The Prince of Egypt’
Julia Gordon
  •  
Nov. 8, 2017
The power of telling your own story: A conversation with Josué Rivas
Claire Thompson
  •  
Nov. 7, 2017
Cary Cordova on the underrepresentation of Latinos in art
Natalie Sada
  •  
Nov. 5, 2017
Collective imagining: A night of spoken word
Chloe Barreau
  •  
Nov. 5, 2017
Ai Weiwei brings humanity to the refugee crisis in ‘Human Flow’
Mac Taylor
  •  
Nov. 2, 2017
Campus gem: The Market at Munger
Blake Sharp
  •  
Oct. 31, 2017
United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’
Cathy Wang
  •  
Oct. 30, 2017
‘The Prince of Egypt’ shines artistically but battles with representation
Olivia Popp
  •  
Oct. 30, 2017
Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art
Mac Taylor
  •  
Oct. 29, 2017
Nina Katchadourian drops a sick beat and sicker dial tone
Julia Gordon
  •  
Oct. 26, 2017
No, don’t say ‘boo,’ just watch your wallet at Nobu Palo Alto
Chris Wang
  •  
Oct. 25, 2017
Xandra Ibarra’s ‘Nude Laughing’ is much more than a few giggles
Mell Chhoy
  •  
Oct. 25, 2017
On sustained silences in Sappho and abstract expressionism
Shana E. Hadi
  •  
Oct. 24, 2017
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