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Film

Film
Mirabelle Lee '29 and Anais Lee '29 pose.

Frosh twins empower upcoming Black writers

Tariq Lawal
  •  
Sept. 24
Film
An image of the classic red-and-yellow Superman symbol.

‘Superman’ (2025) is a super character film

Mason Barrett
  •  
Aug. 3
Magazine
The Brazilian community commemorated the victory of the film “I’m Still Here” at the 97th Academy Awards. (Graphic: CHINYOUNG SHAO/The Stanford Daily)

More than an award: Brazilian students celebrate the country’s first Oscars

Julie Abreu
  •  
June 6
Film
To commemorate Mother's Day, The Daily recounts their favorite depictions of motherhood on the screen, in all of its many forms. (Courtesy of Wikimedia Commons)

Our favorite depictions of motherhood on screen

Charlotte Burks, Ellaheh Gohari, Grace Zhao, Kelly Wang, Yinlin Zhao and Blyss Cleveland
  •  
May 14
Film
In the film viewing and Q&A session, panelists discussed the exploitation of Congolese resources and the environmental future they envision. (Courtesy of E'jazz Mason)

‘Remember what has been dismembered’: Congolese voices at Environmental Justice Film Festival

Riley Casagrande
  •  
May 13
Film
A mirror reflects a standing camera.

Behind the scenes of a 48-hour film competition

Paolo Ferreira Reitz
  •  
March 31
Screen
Four individuals stand in front of a green, moss-covered wall with two dark rectangular openings. There is a boy, a girl, a woman, and a man holding a glowing cube.

‘A Minecraft Movie’ may craft something new

Sebastian Strawser
  •  
Sept. 24, 2024
Screen
Basil Tsiokos behind purple gradient background

Q&A: How Basil Tsiokos ’95 picks films for Sundance

Grace Zhou
  •  
Sept. 23, 2024
Screen
the women's tennis team stands in a line on the tennis court

What do Stanford tennis players think about ‘Challengers’?

Annie Tang
  •  
Aug. 1, 2024
Screen
A graphic of a scene from "The Jazz Singer"

20/20 Vision: How racism undermines the technical achievement of ‘The Jazz Singer’ (1927)

Anthony Martinez Rosales
  •  
April 27, 2023
Screen
Pictured: Stanford Film Society (Cameron Lange (left), Isabelle Cashe (Middle), Adrian Feinberg (Right))

Stanford Film Society is back — and has big plans

Lauren Boles
  •  
Feb. 12, 2023
Screen
Tom Cruise smiling in a green shirt and holding a mic as he speaks at the 2019 San Diego Comic Con International, for "Top Gun: Maverick", at the San Diego Convention Center in San Diego, California.

“Top Gun: Maverick” keeps the ’80s nostalgia and exceeds the original

Sonia Verma
  •  
Aug. 22, 2022
Arts & Life
Chris Pratt holds his hand up to a dinosaur.

“Jurassic World: Dominion” fails to dominate expectations as trilogy finale

Sophie Mo
  •  
Aug. 16, 2022
Film
A girl {Belly) standing outside, in front of her car, smiling

“The Summer I Turned Pretty” successfully balances cliché with complexity as a new summer-escape show

Carolyn Mish
  •  
Aug. 14, 2022
Film
Anne Elliot (Dakota Johnson) embraces Captain Frederick Wentworth (Cosmo Jarvis) in the offical release poster for Persuasion

Persuasion is an odd mixture of 19th-century romance with an off-putting ‘Gen Z’ tone

Aslıhan Alp
  •  
Aug. 5, 2022
Film
Five student panelists speak to a crowd in a small movie theater

Golden Spike Studio’s student films tackle break-ups, Jenga and filming in cars

Yastika Guru
  •  
Feb. 15, 2022
Film
A heart that says "7 ROMCOMS 4 Valentine's Day"

Seven romantic comedies to match your Valentine’s Day mood

Malia Mendez
  •  
Feb. 13, 2022
Arts & Life
Cover art for 'Imagine a Body'

Q&A: Filmmaker Connor O’Keefe MFA ’22 to premiere revolutionary short film with The New Yorker

Kathlynn Yao
  •  
Jan. 24, 2022
Film
Stars Haim and Hoffman sit in a truck.

‘Licorice pizza’ is crop-full of charm but spotlights problematic relationships

Malia Mendez
  •  
Jan. 9, 2022
Screen
A black and white photo of four people sitting around a table with a waiter serving them and a cook looking on from afar in the kitchen

‘The French Dispatch’ is off-puttingly experimental, even for Wes Anderson

Edwin Amaya
  •  
Dec. 2, 2021
The Stanford Daily

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