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Film

Laurence Olivier and Joan Fontaine in the 1940 film "Rebecca." (Courtesy of Silver Screen Magazine)

The 1939 ‘Rebecca’ is the perfect Hitchcock crash course

Amir Abou-Jaoude
  •  
Nov. 30, 2017
Willem Dafoe in "The Florida Project." (Marc Schmidt/A24)

‘The Florida Project’ narrates a grungy fairy tale of poverty

AnQi Yu
  •  
Nov. 29, 2017
Alla Nazimova and Alan Hale, Sr. in a still from the 1922 film "A Doll's House." (United Artists/WIKIMEDIA COMMONS)

‘The Divine Order’ a faint, unremarkable shadow of Ibsen’s ‘A Doll’s House’

Amir Abou-Jaoude
  •  
Nov. 29, 2017
Saoirse Ronan and Laurie Metcalf play daughter and mother in Greta Gerwig's LADY BIRD. Photo: Merie Wallace/A24.

Greta Gerwig’s ‘Lady Bird’ is a miracle of people-watching

Carlos Valladares
  •  
Nov. 28, 2017
Pekka Strang as the eponymous title character of "Tom of Finland." (Courtesy of Protagonist Pictures)

‘Tom of Finland’: A strong biopic of Finland’s iconic gay erotica illustrator

Allison Oddman
  •  
Nov. 22, 2017
Frances McDormand in the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI. (Photo: Merrick Morton, 20th Century Fox)

Frances McDormand shines in the flawed ‘Three Billboards Outside Ebbing, Missouri’

Carlos Valladares
  •  
Nov. 20, 2017
Actor Robert Glyacz is Vincent van Gogh in "Loving Vincent," the world's first oil-painted feature film. Courtesy of Good Deed Entertainment.

‘Loving Vincent’: a portrait of the artist as an old man

  •  
Nov. 19, 2017
Courtesy of Universal Pictures

‘Animal House,’ or what college is really like

Chelsea Red-Horse Mohl
  •  
Nov. 16, 2017
Director Joe Wright at San Diego Comic Con in 2015. (Courtesy of Wikimedia Commons)

Joe Wright on the past, art and the recent Hollywood sexual assault scandals

Zak Sharif
  •  
Nov. 14, 2017
A scene from 'God's Own Country.' (Courtesy of Picturehouse Entertainment)

Love is a tasteless, trite thing in ‘God’s Own Country’

Amir Abou-Jaoude
  •  
Nov. 8, 2017
A promotional photo for "Thor: Ragnarok." (Courtesy of Marvel Studios)

‘Thor: Ragnarok’ brings the comedy to a blockbuster superhero flick

Noah Howard
  •  
Nov. 8, 2017
Dr. Jane Goodall. (Courtesy of Wikimedia Commons)

‘Jane’ provides a scintillating vision into Goodall’s legacy

Amir Abou-Jaoude
  •  
Nov. 5, 2017
A scene from "The Square." (Courtesy of Plattform Produktion)

From ‘The Square’ comes a powerful plea for humanity

Elaine Kim
  •  
Nov. 2, 2017
A moment from Ai Weiwei's "Human Flow." (Courtesy of The Hollywood Reporter)

Ai Weiwei brings humanity to the refugee crisis in ‘Human Flow’

Mac Taylor
  •  
Nov. 2, 2017
UNAFF

United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’

Cathy Wang
  •  
Oct. 30, 2017
Michael Fassbender in "The Snowman." (Courtesy of Universal Pictures)

Even Michael Fassbender can’t save ‘The Snowman’ from its cold, lifeless narrative

Noah Howard
  •  
Oct. 27, 2017
Ana de Armas and Ryan Gosling in 'Blade Runner 2049.' (Courtesy of Alcon Entertainment)

Movies In Conversation: ‘Blade Runner 2049’

Elaine Kim
  •  
Oct. 26, 2017
Anjelica Huston in "The Witches." (Courtesy of Warner Bros. Entertainment)

The Daily’s Halloween movie picks

Arts & Life Screen Beat writers
  •  
Oct. 24, 2017
Agnès Varda and JR in the 2017 documentary film, "Faces Places." (Courtesy of Le Pacte)

From ‘Cléo’ to ‘Faces Places,’ Agnès Varda is preoccupied with the ordinary life

AnQi Yu
  •  
Oct. 24, 2017
Hip-hop artist R. Kelly performs in Chicago in 2012 (Courtesy of The Chicago Tribune).

On the impossibility of separating art from artist

Jacob Kuppermann
  •  
Oct. 21, 2017
The Stanford Daily

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