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Film
‘The Green Fog’ is a dizzying Hitchcock homage
Rey Barceló
•
Jan. 16, 2018
Feel the chemistry in ‘Phantom Thread’
Elaine Kim
•
Jan. 16, 2018
Marilyn Monroe’s final film screens on campus
Carlos Valladares
•
Jan. 11, 2018
Carlos Valladares’ favorite movies of 2017
Carlos Valladares
•
Jan. 10, 2018
‘Darkest Hour’ may be Joe Wright’s darkest hour in his career yet
Zak Sharif
•
Jan. 8, 2018
Kenneth Branagh’s ‘Murder on the Orient Express’ is dead on arrival
Elaine Kim
•
Dec. 9, 2017
The 1939 ‘Rebecca’ is the perfect Hitchcock crash course
Amir Abou-Jaoude
•
Nov. 30, 2017
‘The Florida Project’ narrates a grungy fairy tale of poverty
AnQi Yu
•
Nov. 29, 2017
‘The Divine Order’ a faint, unremarkable shadow of Ibsen’s ‘A Doll’s House’
Amir Abou-Jaoude
•
Nov. 29, 2017
Greta Gerwig’s ‘Lady Bird’ is a miracle of people-watching
Carlos Valladares
•
Nov. 28, 2017
‘Tom of Finland’: A strong biopic of Finland’s iconic gay erotica illustrator
Allison Oddman
•
Nov. 22, 2017
Frances McDormand shines in the flawed ‘Three Billboards Outside Ebbing, Missouri’
Carlos Valladares
•
Nov. 20, 2017
‘Loving Vincent’: a portrait of the artist as an old man
•
Nov. 19, 2017
‘Animal House,’ or what college is really like
Chelsea Red-Horse Mohl
•
Nov. 16, 2017
Joe Wright on the past, art and the recent Hollywood sexual assault scandals
Zak Sharif
•
Nov. 14, 2017
Love is a tasteless, trite thing in ‘God’s Own Country’
Amir Abou-Jaoude
•
Nov. 8, 2017
‘Thor: Ragnarok’ brings the comedy to a blockbuster superhero flick
Noah Howard
•
Nov. 8, 2017
‘Jane’ provides a scintillating vision into Goodall’s legacy
Amir Abou-Jaoude
•
Nov. 5, 2017
From ‘The Square’ comes a powerful plea for humanity
Elaine Kim
•
Nov. 2, 2017
Ai Weiwei brings humanity to the refugee crisis in ‘Human Flow’
Mac Taylor
•
Nov. 2, 2017
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