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Film
A perfect movie week? ‘The Red Turtle,’ ‘Personal Shopper,’ ‘I Am Not Your Negro’, ‘Song to Song,’ ‘Frantz’
Carlos Valladares
•
March 28, 2017
‘The Boss Baby’ director and producer on life, laughs and a love for animation
Olivia Popp
•
March 28, 2017
Danny Boyle talks with The Daily on ‘T2 Trainspotting’
Rey Barceló
•
March 26, 2017
‘T2 Trainspotting’ shows the dark side of choosing life
Rey Barceló
•
March 26, 2017
‘The Boss Baby’ makes a mess in the theater
Olivia Popp
•
March 25, 2017
Perf romance: Ernst Lubitsch’s ‘The Shop Around the Corner’ at the Stanford Theatre
Carlos Valladares
•
March 15, 2017
The original ‘Planet of the Apes’ is innovative and refreshing
Olivia Popp
•
March 9, 2017
This weekend at the Stanford Theatre: ‘Design for Living’ and ‘The Merry Widow’
Carlos Valladares
•
March 3, 2017
Cardinal Studios’ latest films: ‘Raspberry,’ ‘Hellevator’
Chelsea Red-Horse Mohl
•
March 3, 2017
Worst films of 2016: ‘Nocturnal Animals’ is fashion without sense
Rey Barceló
•
March 2, 2017
Oscars 2017: In wacky finale, “Moonlight” wins Best Picture
Carlos Valladares
•
Feb. 27, 2017
Jordan Peele’s “Get Out” a horror-comedy of separation
Carlos Valladares
•
Feb. 23, 2017
The Daily Film Staff’s Oscars 2017 picks
Raymond Maspons
•
Feb. 23, 2017
At the Stanford: Lubitsch rom-coms hit the sweet spot
Carlos Valladares
•
Feb. 23, 2017
Throwback Thursday: Godard + The Rolling Stones = ‘Sympathy for the Devil’
Amir Abou-Jaoude
•
Feb. 23, 2017
Raoul Peck redefines the Civil Rights Movement in Oscar-nominated ‘I Am Not Your Negro’
Olivia Popp
•
Feb. 22, 2017
At the Stanford: Ernst Lubitsch’s ‘Broken Lullaby’ restores faith in humanity
Carlos Valladares
•
Feb. 17, 2017
Flashback Friday: ‘Symbiopsychotaxiplasm’ is a film even stranger than it sounds
Rey Barceló
•
Feb. 16, 2017
Throwback Thursday: ‘Holiday’ is an overlooked comedy gem
Amir Abou-Jaoude
•
Feb. 16, 2017
Flashback Friday: ‘Bells Are Ringing,’ life is singing
Carlos Valladares
•
Feb. 10, 2017
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