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Film
Arts & Life
Activism crosses borders in ‘Ai Weiwei: Yours Truly’
Daniel Wu
•
April 29, 2019
Arts & Life
‘Lifeboat’ brings life to a crisis
Juan Fueyo-Gomez
•
April 26, 2019
Arts & Life
‘Avengers: Endgame’ theories: The serious and the silly
Caroline Keyes
•
April 25, 2019
Arts & Life
‘Guava Island’ is the new musical model
Andrew Tan
•
April 24, 2019
Arts & Life
In ‘Shame,’ Ingmar Bergman examines evil in ordinary people
Amir Abou-Jaoude
•
April 22, 2019
Arts & Life
Golden-Age Hollywood: An interview with my grandmother
Noah Howard
•
April 19, 2019
Arts & Life
American culture is under fire in ‘The Big Heat’
Amir Abou-Jaoude
•
April 16, 2019
Arts & Life
Up: The ninety-minute masterpiece
Mark York
•
April 15, 2019
Arts & Life
‘Detour’ provides a dark commentary on dreams and destiny
Amir Abou-Jaoude
•
April 12, 2019
Arts & Life
‘Death in Venice’ documents the decline of the bourgeoisie
Amir Abou-Jaoude
•
April 2, 2019
Arts & Life
Gaspar Noé’s ‘Climax’ is a chaotic triumph, not for the faint of heart
Marika Tron
•
March 18, 2019
Arts & Life
‘Captain Marvel’ is almost marvelous
Noah Howard
•
March 8, 2019
‘Death of a Nation’ is dead in the water
Noah Howard
•
Feb. 28, 2019
Scorsese uses allusion to conjure up ‘The Age of Innocence’
Amir Abou-Jaoude
•
Feb. 26, 2019
2019 ceremony shows that the Academy Awards are antiquated
Noah Howard
•
Feb. 25, 2019
Tales of boyhood and family in this year’s Oscar-nominated live-action short films
Marika Tron
•
Feb. 25, 2019
‘Happy Death Day 2U’ is a happy accident
Kaycee Branche
•
Feb. 22, 2019
‘The Lego Movie 2’ is built on heart
Daniel Wu
•
Feb. 20, 2019
Time to fly for ‘Battle Angel’
Noah Howard
•
Feb. 15, 2019
Ford and Fonda examine the legend of ‘Young Mr. Lincoln’
Amir Abou-Jaoude
•
Feb. 13, 2019
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