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On Campus
Four-part harmony: Stanford students share 2018 a cappella audition experiences
Natalie Francis
•
Oct. 23, 2018
‘Contact Warhol’ illuminates the artist’s ingeniousness
Amir Abou-Jaoude
•
Oct. 18, 2018
‘Dystopian Dream’ is an aggressively digestible dance piece
Olivia Popp
•
Oct. 9, 2018
Nick Thune brings slow comedy to Bing Studio
Olivia Popp
•
Oct. 1, 2018
Volunteers maintain historic cactus garden
Gianella Ordonez
•
Aug. 22, 2018
We Shot the War: Overseas Weekly in Vietnam shows the person behind the photo
Jasmine Venet
•
Aug. 12, 2018
‘Betray the Secret: Humanity in the Age of ‘Frankenstein’’ at the Cantor Arts Center
Jonathan Liu
•
Aug. 8, 2018
‘The Baltic Way’ exhibition commemorates 100 years of history
Sophie Kroesche
•
Aug. 7, 2018
Review: Anderson Collection screens ‘Eva Hesse’
Amy Lin
•
Aug. 5, 2018
‘Hecuba/Helen’ is mesmerizing but lacking impact
Minh-Anh Day
•
July 30, 2018
“Like Father, Like Son” tackles the meaning of family
Helen Chao
•
July 24, 2018
What does it mean to have Black hair at Stanford?
Paula McCloud
•
July 23, 2018
St. Lawrence String Quartet presents final 2018 “Midday Masters” concert
Jonathan Liu
•
July 12, 2018
‘LIYANA’ fuses youthful fantasy and stark reality
Jasmine Venet
•
July 6, 2018
The Stanford Jazz Workshop Launches its 47th Annual Jazz Festival
Jonathan Liu
•
July 4, 2018
Ghosts of CHAN
Olivia Popp
•
July 3, 2018
Cardinal Studios creates ‘Psychobabble’ and ‘Cardboard Therapy’
Amy Lin
•
July 3, 2018
Valladares: In a sentimental mood
Carlos Valladares
•
June 14, 2018
Not your ordinary gala, part 2
Chasity Hale
•
June 14, 2018
‘The Ocean & the Avenue’: an antidote to deadened Marvel cinema
Carlos Valladares
•
May 25, 2018
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