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On Campus

Courtesy of Frank Chen

‘Marat/Sade’ is jarring, unorthodox and utterly fascinating

Minh-Anh Day
  •  
March 2, 2018
cardinal-red-daily-s-logo

Tales from the war on hunger: Ambassador Ertharin Cousin shares hope and hard truths

Claire Thompson
  •  
Feb. 28, 2018
cardinal-red-daily-s-logo

Dancing for an excellent cause

Chasity Hale
  •  
Feb. 22, 2018
A piece from Robert Motherwell's "Italian Summer." (Courtesy of the Anderson Collection)

Art++: The Beach Boys meets an ‘Italian Summer’

Reily Haag
  •  
Feb. 21, 2018
Courtesy of 600 HIGHWAYMEN

‘The Fever’ aims to make you feel innately human

Olivia Popp
  •  
Feb. 21, 2018
Marc Tessier-Lavigne speaks at graduation

The Split $ubject: Modern Thought and Literature between gender performativity and psychoanalysis, part 2

Joe Goodhew
  •  
Feb. 15, 2018
Anderson Collection patrons Christine Nicholas and Julia Procopé stop to discuss the Mary Weatherford’s, “black painting” a gift of Debra and Steven Wisch'83, in honor of the Anderson family. (Courtesy of L.A. Cicero)

Art++: Mary’s Place

Ali Vaughan
  •  
Feb. 14, 2018
Sterling K. Brown '98. (Courtesy of Nathan Johnson)

An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists

Olivia Popp
  •  
Feb. 13, 2018
Stegner Fellow Richie Hofmann. (Courtesy of Joe Hofmann Photography)

February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr

Claire Thompson
  •  
Feb. 13, 2018
(Courtesy of Frank Chen)

‘The Last Five Years’: A gorgeously staged musical about falling in and out of love

Chasity Hale
  •  
Feb. 12, 2018
Marc Tessier-Lavigne

The Split $ubject: Who’s your daddy, MTL? Between gender performativity and psychoanalysis

Joe Goodhew
  •  
Feb. 7, 2018
Photo credit to Claire Thompson.

Sharing Culture, Sharing Strength: a benefit show by Cardinal Calypso, Stanford Talisman and Catch-a-Fyah

Claire Thompson
  •  
Jan. 23, 2018
Courtesy of Phil Kidd

The Original Winter One Acts 2018 beautifully ponders the human condition

Mell Chhoy
  •  
Jan. 22, 2018
Marilyn Monroe shows the boys who's boss at paddleball in a lobby card for John Huston's THE MISFITS (1961). Courtesy of Jerry Murbach.

‘The Misfits,’ Marilyn Monroe’s final film, is bleak perfection

Carlos Valladares
  •  
Jan. 18, 2018
Marilyn Monroe in John Huston's "The Misfits." (Courtesy of Jerry Murbach)

Marilyn Monroe’s final film screens on campus

Carlos Valladares
  •  
Jan. 11, 2018
Courtesy of Common Origins

Breaking Ground: a Harry Potter dance delight

Mell Chhoy
  •  
Jan. 8, 2018
Courtesy of Stanford University

Where to spend your meal plan dollars during Week 10

Blake Sharp
  •  
Dec. 9, 2017
Courtesy of Frank Chen

Stanford Theater Lab’s ‘Angels in America, pt. 1’ sparkles with heavenly life

Lora Supandi
  •  
Dec. 9, 2017
Courtesy of Wikimedia Commons

Comedy’s controversial hero T.J. Miller delights audiences at Dinkelspiel

Olivia Popp
  •  
Dec. 9, 2017
Courtesy of Impossible Foods, Inc.

The future of food: Impossible Foods’ meat alternatives

Claire Thompson
  •  
Dec. 4, 2017
The Stanford Daily

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Apply to The Daily’s High School Winter Program

Applications Due NOVEMBER 22

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  • JOURNALISM WORKSHOP
  • MULTIMEDIA & TECH TRAININGS
  • GUEST SPEAKERS
  • FINANCIAL AID AVAILABLE
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