Sunday, November 17th, 2024

Reviews

Sex, society and ‘Shampoo’

Amir Abou-Jaoude

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Jan. 14, 2019

MINT Magazine, fall 2018 — reviewed

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Jan. 11, 2019

‘On the Basis of Sex’ can’t win the case

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Jan. 10, 2019

‘Bumblebee’: A masterfully nostalgic love letter to the 80s

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Jan. 9, 2019

Hua Chenyu’s peerless performances

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Jan. 7, 2019

Documentaries for good: Dale Bell and Harry Wiland discuss the Media and Policy Center

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Dec. 19, 2018

‘The Grinch’ for the modern moment

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Dec. 17, 2018

The bearable heaviness of being: reflections on ‘Mrs. Dalloway’

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Dec. 10, 2018

Geffen Playhouse’s ‘A Christmas Carol’ shines with a solo holiday performance

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Dec. 7, 2018

De Palma steals from the masters in ‘Sisters’

Amir Abou-Jaoude

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Nov. 30, 2018

‘Beautiful Boy’: A tragic story of addiction

Emilia Diaz-Magaloni

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Nov. 30, 2018

‘Frankenstein’ and its transformations

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Nov. 29, 2018

In ‘Andrei Rublev,’ Tarkovsky contemplates artistry and reality

Amir Abou-Jaoude

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Nov. 28, 2018

‘A Private War’ grounds a journalistic goddess

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Nov. 27, 2018

Beware Orson Welles’ final film

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Nov. 26, 2018

The stardust surrounding Neil Gaiman

Shana E. Hadi and Claire Francis

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Nov. 16, 2018

Gaieties 2018 is an enchanting testament to individualism and community

Chloe Wintersteen

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Nov. 15, 2018

‘The Nutcracker and the Four Realms’ is a lump of coal

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Nov. 14, 2018

In ‘Westfront 1918,’ Pabst evokes the traumas of World War I

Amir Abou-Jaoude

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Nov. 12, 2018

Listening to the silence of memory in Thompson’s ‘Blankets’

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Nov. 12, 2018