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Reviews

Courtesy of StudioCanal

Cédric Klapisch’s ‘Back to Burgundy’ is a nebulous mess

Amir Abou-Jaoude
  •  
April 5, 2018
(l-r) Sir Ralph Richardson, Dean Stockwell, Katharine Hepburn, and Jason Robards in the Sidney Lumet film of Eugene O'Neill's 'Long Day's Journey Into Night' (1962). Courtesy of Wikimedia Commons.

Recs from the Vault: swampy sounds, Eugene O’Neill and wild Wilder

Carlos Valladares
  •  
April 5, 2018
A scene from Wes Anderson's "Isle of Dogs." It is the American auteur's second animated feature, after 2009's "The Fantastic Mr. Fox." Courtesy of Fox Searchlight Pictures.

From wolves to dogs to Wes: the strange cuteness of ‘Isle of Dogs’

Carlos Valladares
  •  
April 4, 2018
Veronica Lee (Heather Mae Steffen) opens up to her friend Travis (Lorenz Angelo Gonzales). (MICHAEL CRAIG/Pear Theatre)

‘Cowboy versus Samurai’ attempts to tackle the rural Asian American experience

Olivia Popp
  •  
April 2, 2018
Ensemble cast members (from left) Cat Luedtke, Elissa Beth Stebbins, Leigh Rondon-Davis, and Karla Acosta freeze in a moment of revolution. (Courtesy of Alessandra Mello)

‘Revolt. She Said. Revolt Again.’ pushes an uneasy message of empowerment

Olivia Popp
  •  
April 2, 2018
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Gabrielle Aplin evolves without abandoning her charm on ‘Avalon’ EP

Jourdann Fraser
  •  
March 26, 2018
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Speculative Fiction: How do magic systems work?

Shana E. Hadi
  •  
March 18, 2018
Arts & Life
Cinequest co-founder Kathleen Powell and Canadian actress Tatiana Maslany talk before a screening of Maslany's newest film, "Souls of Totality." (OLIVIA POPP/The Stanford Daily)

‘Orphan Black’ star Tatiana Maslany talks generosity, collaboration and loving the weird

Olivia Popp
  •  
March 16, 2018
Quang (James Seol, front) and friend Nhan (Stephen Hu, back) embark on a motorcycle trip from Arkansas to California in Qui Nguyen’s Vietgone. (Courtesy of Kevin Berne)

A.C.T.’s ‘Vietgone’ shines in its story and unadulterated authenticity

Olivia Popp
  •  
March 15, 2018
Gary Cooper and Helen Hayes in Frank Borzage's 1932 film of the Ernest Hemingway book "A Farewell to Arms." (Courtesy of Paramount Pictures)

At the Stanford Theatre: In ‘A Farewell to Arms,’ Frank Borzage finds love in war

Carlos Valladares
  •  
March 12, 2018
Courtesy of Walt Disney Studios Motion Pictures

‘A Wrinkle in Time’ is Disney’s dizzying failed attempt at creating a trippy sci-fi/fantasy dream

Olivia Popp
  •  
March 9, 2018
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The Split $ubject: Metaphysical subtleties and theological niceties

Joe Goodhew
  •  
March 8, 2018
Courtesy of Talkspace

Clickbait Philosophy: Can cursing KILL YOU?

Cameron Hubbard
  •  
March 7, 2018
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Imperfect reflection in Modigliani

Sasha Landauer
  •  
March 6, 2018
Courtesy of Stanford Creative Writing

A very Virginian Stegner session with Courtney Kampa and Michael Sears

Claire Thompson
  •  
March 6, 2018
Courtesy of The Ridgefield Press

A Night with the Bumper Jacksons

Chasity Hale
  •  
March 5, 2018
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The hyper-connected brilliance of Sidney Gish’s ‘No Dogs Allowed’

Jacob Kuppermann
  •  
Feb. 22, 2018
Courtesy of 600 HIGHWAYMEN

‘The Fever’ aims to make you feel innately human

Olivia Popp
  •  
Feb. 21, 2018
T'Challa (Chadwick Boseman, left) and Killmonger (Michael B. Jordan, right) face off in Marvel's newest release, "Black Panther," directed by Ryan Coogler. (Courtesy of Marvel Studios)

‘Black Panther’ steps up Marvel’s game

Noah Howard
  •  
Feb. 20, 2018
King Gizzard & The Lizard Wizard live in 2016 (Paul Hudson/FLICKR)

A guide to King Gizzard & The Lizard Wizard’s absurdly prolific 2017

Jacob Nierenberg
  •  
Feb. 20, 2018
The Stanford Daily

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