Sunday, November 17th, 2024

Reviews

Cédric Klapisch’s ‘Back to Burgundy’ is a nebulous mess

Amir Abou-Jaoude

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April 5, 2018

Recs from the Vault: swampy sounds, Eugene O’Neill and wild Wilder

Carlos Valladares

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April 5, 2018

From wolves to dogs to Wes: the strange cuteness of ‘Isle of Dogs’

Carlos Valladares

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April 4, 2018

‘Cowboy versus Samurai’ attempts to tackle the rural Asian American experience

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April 2, 2018

‘Revolt. She Said. Revolt Again.’ pushes an uneasy message of empowerment

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April 2, 2018

Gabrielle Aplin evolves without abandoning her charm on ‘Avalon’ EP

Jourdann Fraser

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March 26, 2018

Speculative Fiction: How do magic systems work?

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March 18, 2018

‘Orphan Black’ star Tatiana Maslany talks generosity, collaboration and loving the weird

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March 16, 2018

A.C.T.’s ‘Vietgone’ shines in its story and unadulterated authenticity

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March 15, 2018

At the Stanford Theatre: In ‘A Farewell to Arms,’ Frank Borzage finds love in war

Carlos Valladares

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March 12, 2018

‘A Wrinkle in Time’ is Disney’s dizzying failed attempt at creating a trippy sci-fi/fantasy dream

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March 9, 2018

The Split $ubject: Metaphysical subtleties and theological niceties

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March 8, 2018

Clickbait Philosophy: Can cursing KILL YOU?

Cameron Hubbard

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March 7, 2018

Imperfect reflection in Modigliani

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March 6, 2018

A very Virginian Stegner session with Courtney Kampa and Michael Sears

Claire Thompson

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March 6, 2018

A Night with the Bumper Jacksons

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March 5, 2018

The hyper-connected brilliance of Sidney Gish’s ‘No Dogs Allowed’

Jacob Kuppermann

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Feb. 22, 2018

‘The Fever’ aims to make you feel innately human

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Feb. 21, 2018

‘Black Panther’ steps up Marvel’s game

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Feb. 20, 2018

A guide to King Gizzard & The Lizard Wizard’s absurdly prolific 2017

Jacob Nierenberg

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Feb. 20, 2018