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Reviews

(BLAKE SHARP/The Stanford Daily)

Finally, a definitive ranking of Lemonade’s lemonades

Blake Sharp
  •  
April 22, 2018
A promo photo after the season three hiatus of "Supergirl." (Courtesy of The CW)

Three seasons in, The CW’s ‘Supergirl’ still doesn’t know what it wants

Olivia Popp
  •  
April 20, 2018
An elegantly plated dish at Protégé (CHRIS WANG/The Stanford Daily)

Protégé quietly opens on Cal Ave — but is this one restaurant or two?

Chris Wang
  •  
April 16, 2018
Allison F. Rich as Mrs. Lovett and Noel Anthony as Sweeney Todd in the San Jose Stage Company’s production of "Sweeney Todd." (Courtesy of Dave Lepori)

San Jose Stage Company’s ‘Sweeney Todd’ is a demonic, tormented masterpiece

Olivia Popp
  •  
April 15, 2018
(Left to right) Pete Townshend of The Who and Elton John is the Pinball Wizard in Ken Russell's "Tommy" (1975). (Courtesy of Columbia Pictures)

Recs from the Vault: ‘Tommy,’ ‘The Verdict,’ ‘Canoa,’ ‘The Bride Wore Black,’ ‘Pretty Poison’

Carlos Valladares
  •  
April 12, 2018
"So Romantic" by Abigail Goldman. (CHLOE BARREAU/The Stanford Daily)

The haunting and the humorous: an exhibition of dioramas in Palo Alto

Chloe Barreau
  •  
April 11, 2018
killa bites

Killa Bites: The hunt for the perfect chocolate chip cookie on campus

Blake Sharp
  •  
April 8, 2018
Courtesy of StudioCanal

Cédric Klapisch’s ‘Back to Burgundy’ is a nebulous mess

Amir Abou-Jaoude
  •  
April 5, 2018
(l-r) Sir Ralph Richardson, Dean Stockwell, Katharine Hepburn, and Jason Robards in the Sidney Lumet film of Eugene O'Neill's 'Long Day's Journey Into Night' (1962). Courtesy of Wikimedia Commons.

Recs from the Vault: swampy sounds, Eugene O’Neill and wild Wilder

Carlos Valladares
  •  
April 5, 2018
A scene from Wes Anderson's "Isle of Dogs." It is the American auteur's second animated feature, after 2009's "The Fantastic Mr. Fox." Courtesy of Fox Searchlight Pictures.

From wolves to dogs to Wes: the strange cuteness of ‘Isle of Dogs’

Carlos Valladares
  •  
April 4, 2018
Veronica Lee (Heather Mae Steffen) opens up to her friend Travis (Lorenz Angelo Gonzales). (MICHAEL CRAIG/Pear Theatre)

‘Cowboy versus Samurai’ attempts to tackle the rural Asian American experience

Olivia Popp
  •  
April 2, 2018
Ensemble cast members (from left) Cat Luedtke, Elissa Beth Stebbins, Leigh Rondon-Davis, and Karla Acosta freeze in a moment of revolution. (Courtesy of Alessandra Mello)

‘Revolt. She Said. Revolt Again.’ pushes an uneasy message of empowerment

Olivia Popp
  •  
April 2, 2018
AL.031418.Gabrielle.crop

Gabrielle Aplin evolves without abandoning her charm on ‘Avalon’ EP

Jourdann Fraser
  •  
March 26, 2018
cardinal-red-daily-s-logo

Speculative Fiction: How do magic systems work?

Shana E. Hadi
  •  
March 18, 2018
Arts & Life
Cinequest co-founder Kathleen Powell and Canadian actress Tatiana Maslany talk before a screening of Maslany's newest film, "Souls of Totality." (OLIVIA POPP/The Stanford Daily)

‘Orphan Black’ star Tatiana Maslany talks generosity, collaboration and loving the weird

Olivia Popp
  •  
March 16, 2018
Quang (James Seol, front) and friend Nhan (Stephen Hu, back) embark on a motorcycle trip from Arkansas to California in Qui Nguyen’s Vietgone. (Courtesy of Kevin Berne)

A.C.T.’s ‘Vietgone’ shines in its story and unadulterated authenticity

Olivia Popp
  •  
March 15, 2018
Gary Cooper and Helen Hayes in Frank Borzage's 1932 film of the Ernest Hemingway book "A Farewell to Arms." (Courtesy of Paramount Pictures)

At the Stanford Theatre: In ‘A Farewell to Arms,’ Frank Borzage finds love in war

Carlos Valladares
  •  
March 12, 2018
Courtesy of Walt Disney Studios Motion Pictures

‘A Wrinkle in Time’ is Disney’s dizzying failed attempt at creating a trippy sci-fi/fantasy dream

Olivia Popp
  •  
March 9, 2018
cardinal-red-daily-s-logo

The Split $ubject: Metaphysical subtleties and theological niceties

Joe Goodhew
  •  
March 8, 2018
Courtesy of Talkspace

Clickbait Philosophy: Can cursing KILL YOU?

Cameron Hubbard
  •  
March 7, 2018
The Stanford Daily

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