Tuesday, November 5th, 2024

Spotlight

With ‘Double Vision,’ Olivia Popp ’21 envisions new creative paths

Jacob Kuppermann

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March 14, 2019

Making Lin-Manuel Miranda’s music soar in ‘In the Heights’

Natalie Francis

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March 8, 2019

Fiction: Under (the) covers (Part 2)

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March 8, 2019

Unveiling ‘The Vela’: An interview with Becky Chambers, S. L. Huang and Yoon Ha Lee (Part 2)

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March 7, 2019

Unveiling ‘The Vela’: An interview with Becky Chambers, S. L. Huang and Yoon Ha Lee (Part 1)

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March 6, 2019

I hated ‘The Umbrella Academy’ and I can’t wait for season two

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March 5, 2019

The Harmonics melodiously muse on the ‘mood’ of winter quarter

Natalie Francis

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March 5, 2019

‘Sex Education’ is compulsory viewing

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March 4, 2019

Fiction: Under (the) covers

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March 1, 2019

Stanford Live partners with Stand Up, D to bring Jenny Zigrino to campus

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Feb. 28, 2019

Woolf, witches and wives: Coming of age through archetype

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Feb. 27, 2019

Scorsese uses allusion to conjure up ‘The Age of Innocence’

Amir Abou-Jaoude

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Feb. 26, 2019

Music made our hearts beat at Mixed Company’s ‘Love Sucks’

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Feb. 26, 2019

2019 ceremony shows that the Academy Awards are antiquated

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Feb. 25, 2019

Tales of boyhood and family in this year’s Oscar-nominated live-action short films

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Feb. 25, 2019

‘A Midsummer Night’s Dream’ delves into the trials of love through fantasy

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Feb. 22, 2019

Michelle Obama: Putting the first in First Lady

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Feb. 21, 2019

Into the Adaptationverse – ‘Spiderverse’ proves that adaptations are necessary

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Feb. 19, 2019

Reading between the lines for love

Arts & Life Reads beat writers, Lily Nilipour, Carly Taylor, Scott Stevens, Mark York, Claire Francis and Shana E. Hadi

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Feb. 14, 2019

Ford and Fonda examine the legend of ‘Young Mr. Lincoln’

Amir Abou-Jaoude

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Feb. 13, 2019