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Spotlight
Dietrich is an extraordinary actress in ‘The Scarlet Empress’
Amir Abou-Jaoude
•
Oct. 23, 2018
Drake combines success with social media spectacle
Jacob Kuppermann
•
Oct. 22, 2018
‘Contact Warhol’ illuminates the artist’s ingeniousness
Amir Abou-Jaoude
•
Oct. 18, 2018
Marin Theatre Company’s ‘Oslo’ gives us a piece of narrated history
Olivia Popp
•
Oct. 18, 2018
New York Minute: Exploring love, memory and loss in ‘The Things That Were There’
Alli Cruz
•
Oct. 17, 2018
‘Drogas Wave’ is the final boss of hip-hop concept albums
Hamza Ali Zahurullah
•
Oct. 16, 2018
Bradley Cooper critiques show business in ‘A Star Is Born’
Amir Abou-Jaoude
•
Oct. 15, 2018
Enjoying the fall edition of Corgi Con 2018 at Ocean Beach
Olivia Popp
•
Oct. 15, 2018
Satyajit Ray muses on movies and money in ‘The Hero’
Amir Abou-Jaoude
•
Oct. 12, 2018
Baobab Studios founder Maureen Fan on why you don’t have to know what you want
Chloe Barreau
•
Oct. 12, 2018
New York Minute: CRASH Theater Co.’s ‘TaRaRaBOOM’ explodes with absurdity and modernity
Alli Cruz
•
Oct. 12, 2018
Lingering thoughts on the Three Books
Arts & Life Reads beat writers
•
Oct. 11, 2018
‘On Your Feet!’ contains romping celebration of Cuban and Latinx artistry
Olivia Popp
•
Oct. 11, 2018
Powell and Pressburger portray two wonderful worlds in ‘A Matter of Life and Death’
Amir Abou-Jaoude
•
Oct. 9, 2018
In ‘The Awful Truth,’ McCarey crafts a comedy about class
Amir Abou-Jaoude
•
Oct. 8, 2018
In ‘El Sur,’ Victor Erice contemplates childhood
Amir Abou-Jaoude
•
Oct. 5, 2018
ACT’s ‘Sweat’ is a masterclass in contemporary American theater
Olivia Popp
•
Oct. 5, 2018
A treasure trove of silver screen riches
Olivia Popp
•
Sept. 28, 2018
‘The Alchemist’ is shallow, but inspirational
Shana E. Hadi
•
Sept. 27, 2018
It’s not the Space Force but it’s ‘Trump in Space’
Olivia Popp
•
Sept. 24, 2018
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