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Television
WonderCon 2018: A blow-by-blow of pop culture highlights and must-sees
Olivia Popp
•
June 7, 2018
‘Altered Carbon’ is visually radioactive yet as decaying as its name suggests
Abe Thompson
•
May 25, 2018
Desplechin’s ‘Ismael’s Ghosts’ succumbs to melodramatic clichés
Amir Abou-Jaoude
•
May 7, 2018
Three seasons in, The CW’s ‘Supergirl’ still doesn’t know what it wants
Olivia Popp
•
April 20, 2018
An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists
Olivia Popp
•
Feb. 13, 2018
Who am I, really? Mixed race identities in television and media
Olivia Popp
and
Alli Cruz
•
Feb. 5, 2018
Winter is here, but has ‘Game of Thrones’ gone cold?
Isaac Vaught
•
Oct. 22, 2017
Arts & Life
‘Slingshot’ will shoot its way into your geeky heart
Olivia Popp
•
Oct. 21, 2017
The U.K.’s ‘The Office’ champions caustic cringe comedy
Olivia Popp
•
Oct. 20, 2017
The geek fan-omenon: Exploring the empowerment and toxicity of fandoms
Olivia Popp
•
Oct. 11, 2017
Marvel’s ‘The Defenders’ falls short on story but fights to be fun
Olivia Popp
•
Oct. 2, 2017
Arts & Life
Fall TV series premieres: what to watch and what to avoid
Olivia Popp
•
Sept. 26, 2017
Hard truth: a review of ‘An Evening with Ken Burns’
Elizabeth Gerson
•
Sept. 26, 2017
‘The Good Place’ brings representation and genius-level comedy to the small screen
Olivia Popp
•
Aug. 4, 2017
Season five of ‘Orange is the New Black’ is a messy yet beautiful riot
Olivia Popp
•
July 27, 2017
Issa Rae’s acclaimed series ‘Insecure’ is back for season two, and it’s ‘hella great’
Olivia Popp
•
July 21, 2017
Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed
Olivia Popp
•
June 9, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
•
June 4, 2017
Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’
Olivia Popp
•
May 30, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
•
May 26, 2017
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