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Theater
TAPS makes Hamlet its own
Madeline MacLeod
•
March 9, 2015
‘Newsies’ at SHN Orpheum Theatre: Thoroughly entertaining but hollow
Ian Anstee
•
March 5, 2015
The case for circus at Stanford
Madelaine Bixler
•
March 4, 2015
‘Watsonville’ creatively asserts immigrant identity
Steve Rathje
•
March 3, 2015
This week in Arts & Life: Mar. 2 – Mar. 8
Arts and Life Editors
•
March 2, 2015
The Freeks dare to take risks with ‘Equus’
Madeline MacLeod
•
March 1, 2015
Marie-Louise Catsalis mounts a hilariously overblown production of ‘Die Fledermaus’
Ian Anstee
•
Feb. 24, 2015
TAPS’ ‘Rosencrantz And Guildenstern Are Dead,’ an all-around fantastic production
Steve Rathje
•
Feb. 23, 2015
StanShakes stages a female-centric, modern take on ‘Lear’
Noemi Berkowitz
•
Feb. 23, 2015
This week in Arts & Life: Feb. 23 – Mar. 1
Arts and Life Editors
•
Feb. 23, 2015
TAPS Grad Showcase’s ‘Far Away’ sends chills down the spine
Madeline MacLeod
•
Feb. 22, 2015
National Theatre’s ‘Treasure Island’ thrusts us into an adventure for the ages
Madelaine Bixler
•
Feb. 22, 2015
Music 184B produces and performs Fledermaus the opera
Allegra Clara McComb
•
Feb. 20, 2015
The importance of community and playfulness in the arts
Ian Anstee
•
Feb. 19, 2015
‘The Downfall of Egotist J. Fatzer’: A hilarious, clever and nontraditional exploration of Brecht, war, and gender
Noemi Berkowitz
•
Feb. 18, 2015
Ph.D. student Otálvaro-Hormillosa provokes reflection in her piece about family ties
Ian Anstee
•
Feb. 12, 2015
‘Parts for Women Written by Men’ reevaluates female identity in theater
Ian Anstee
•
Feb. 11, 2015
This Week in Arts & Life: Feb. 9–15
Arts and Life Editors
•
Feb. 9, 2015
A conversation with musical theater composer Michael Friedman
Steve Rathje
•
Feb. 4, 2015
Bill. T Jones’ experimental storytelling: Exciting and profound
Ian Anstee
•
Feb. 2, 2015
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