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album review

(Sarah Tirona, Flickr)

The Chainsmokers are the boring sort of bad

Jacob Kuppermann
  •  
April 13, 2017
Lead singer Britt Daniel performing with Spoon. (Kris Krüg, Flickr)

Spoon loses their cool on ‘Hot Thoughts’

Nick Burns
  •  
April 10, 2017
Britt Daniel performing with Spoon. (Lee Gwyn, Flickr)

Spoon turn up the heat with ‘Hot Thoughts’

Jacob Nierenberg
  •  
April 3, 2017
(Justin de Nooijer, Flickr)

Thundercat’s ‘Drunk’ offers a sobering message on escapism

Dylan Grosz
  •  
March 14, 2017
Brian King of Japandroids.(Piotr Drabik, Wikimedia Commons)

Review: Japandroids return with ‘Near to the Wild Heart of Life’

Jacob Kuppermann
  •  
Feb. 8, 2017
Danny Brown captivates crowd with his visceral verses. (Wikimedia Commons, Coup d'Oreille)

Danny Brown loses his mind on ‘Atrocity Exhibition’

Jacob Nierenberg
  •  
Oct. 9, 2016
Anthony Gonzalez of M83. (Courtesy of Rama, Wikimedia Commons)

Album Review: M83’s most recent space odyssey

Tyler Dunston
  •  
May 11, 2016
(Bill Ebbesen, Wikimedia Commons)

On ‘The Colour in Anything,’ James Blake reconsiders melancholy

Benjamin Sorensen
  •  
May 10, 2016
Portland-based rapper Aesop Rock is famed for his vast vocabulary. (Courtesy of Volker Neumann.)

Aesop Rock’s ‘The Impossible Kid’: A Knot Worth Unraveling

Clare Flanagan
  •  
May 6, 2016
The album artwork for "Ology" (Wikimedia Commons).

Gallant’s debut LP ‘Ology’ perplexes and dazzles in equal measure

Tyler Dunston
  •  
April 13, 2016
Charles Bradley performing in 2011, the year of his first album release. (Tsui, Wikimedia Commons)

Charles Bradley and the return of an old soul

Benjamin Sorensen
  •  
April 7, 2016
(Tajmyr, Wikimedia Commons)

Zayn reaches for a new identity

Joshua Seawell
  •  
April 5, 2016
(Courtesy of Falimalala, Wikimedia Commons)

Ready for Fetty: A preview of this year’s Frost headliner, Fetty Wap

Benjamin Sorensen
  •  
March 28, 2016
Charli XCX performing in 2014. (Photo by Justin Higuchi, Wikimedia Commons)

Charli XCX breaks genres, loses focus on ‘Vroom Vroom’

Joshua Seawell
  •  
March 10, 2016
Thao Nguyen performing with her band, The Get Down Stay Down, in 2009. (Courtesy of musicisentropy, Wikimedia Commons.)

‘A Man Alive’ delivers a little slash, a little burn

Tyler Dunston
  •  
March 3, 2016
(Photo by Dmitry Shukin, Courtesy of Chris Russ)

On ‘Shirley,’ an old soul says goodbye

Benjamin Sorensen
  •  
Feb. 16, 2016
(Courtesy of Colin James)

Is it human to adore ‘Adore Life’? Hell yes.

Tyler Dunston
  •  
Feb. 10, 2016
(Courtesy of Kris Krug, Wikimedia Commons)

‘This is Acting,’ a Top-40 tour de force for Sia

Joshua Seawell
  •  
Feb. 1, 2016
(Courtesy of Snarky Puppy)

Album review: Snarky Puppy’s ‘Family Dinner – Volume 2’

Benjamin Sorensen
  •  
Jan. 31, 2016
(Courtesy of David Grunzweig)

T∆PE GHØST’s explorations of sound as eternity

Benjamin Sorensen
  •  
Jan. 25, 2016
The Stanford Daily

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