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art

Arts & Life

Cantor Arts Center: Defining the contemporary museum experience

Andrea Sun
  •  
July 11, 2019
News

Iranian Studies program hosts speaker to discuss art and activism

Yusra Arub
  •  
May 10, 2019
Opinions

Op-Ed: Stanford Jewish Voice for Peace’s statement on Eli Valley art exhibition

From the Community
  •  
May 6, 2019
Culture

New Cantor exhibitions inspire thought and awe in viewers

Dax Duong
  •  
April 11, 2019
Arts & Life

‘Death in Venice’ documents the decline of the bourgeoisie

Amir Abou-Jaoude
  •  
April 2, 2019
News

FILMSTUD 135 takes students “around the world in ten films”

Emily Wan
  •  
March 5, 2019
Opinions

What internship season could learn from artistic patronage

Melina Walling
  •  
March 3, 2019

Giving avant-gardism the bird

Emily Elott
  •  
Feb. 22, 2019

Open Studios highlights myriad connections between the abstract and the everyday

Angela Yang
  •  
Jan. 29, 2019

Meade, Segerman and Mitton marvel at the magical mind

Chloe Barreau
  •  
Nov. 14, 2018

Panel explores K-pop stardom in a globalized world

Emily Wan and Sean Chen
  •  
Nov. 5, 2018

Classy Classes: MUSIC 25 offers new approaches to anime

Emily Wan
  •  
Oct. 30, 2018

Bing Concert Hall showcases Warhol and Cunningham’s multimedia artistic collaboration

Lyndsey Kong
  •  
Oct. 24, 2018

Roble Arts Gym receives Preservation Design Award two years after renovation

Yusra Arub
  •  
Oct. 23, 2018
The Grind

Rose golden: Your artistic potential

Coco Hergenroeder
  •  
Oct. 16, 2018

Exploring the trials of history at the Autry Museum of the American West

Olivia Popp
  •  
Sept. 20, 2018

High school students in Summer Arts Institute explore intersection of technological, artistic endeavors

Swara Tewari
  •  
Aug. 14, 2018

‘Betray the Secret: Humanity in the Age of ‘Frankenstein’’ at the Cantor Arts Center

Jonathan Liu
  •  
Aug. 8, 2018

Review: Anderson Collection screens ‘Eva Hesse’

Amy Lin
  •  
Aug. 5, 2018

You’ll start to believe in real magic with Arthur Trace: The Artful Deceiver

Olivia Popp
  •  
July 24, 2018
The Stanford Daily

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