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Cantor
Culture
Cantor Arts Center open to returning cultural objects to Native American tribes
Adam Golomb
•
Sept. 22, 2024
Culture
Cardinal Canvas: Untangling Ruth Asawa’s web
Adam Golomb
•
March 7, 2024
Culture
Art & Boba spill creativity at Cantor
Maria Chica
•
Feb. 29, 2024
Culture
Cardinal Canvas: Mourning home in Muriente’s ‘Celaje’
Adam Golomb
•
Feb. 22, 2024
Culture
Q&A: Visiting Artist Sabelo Mlangeni on photographing South African communities and identities
Sydney Dever-Mendenhall
•
Jan. 9, 2024
Culture
What lies ‘Beyond Here?’: Cantor displays Latin American life across space and time
Canon Pham
•
Oct. 12, 2023
Culture
Cantor celebrates new surrealist collection
Anjali Ragupathi
•
Oct. 10, 2023
Screen
Death, Swamps and Eggs: Discussing performance-based video ‘Mourning Rituals’ at the Cantor
Lauren Boles
•
March 5, 2023
Culture
Stanford FashionX transforms Cantor Art Center with an immersive, elegant night of fashion
Ellen Abraham
•
Feb. 19, 2023
Culture
Your art world questions answered: What are some of Cantor’s recent acquisitions?
Christina Shen
•
Nov. 13, 2022
Arts & Life
Why does Stanford have so many Rodins?
Christina Shen
•
Oct. 16, 2022
Culture
Stanford names Veronica Roberts as new Cantor director
Bhumikorn Kongtaveelert
•
April 6, 2022
News
Toxic work culture at the Cantor pushes employees out, interventions fall short
Elena Shao
•
Aug. 17, 2020
Arts & Life
The Cantor and Anderson Collection offer free membership to Class of 2020
Dax Duong
•
June 18, 2020
Arts & Life
The new abnormal: ‘Untitled’ by Ruth Asawa
Jasmine Liu
•
April 15, 2020
Arts & Life
Museums from Home
Chasity Hale
•
April 13, 2020
News
Professor and restaurateur team up to donate meals to Stanford Hospital staff
Daniel Wu
•
April 1, 2020
Arts & Life
Diverse, inclusive, modern: Say ‘YO’ to the new Cantor
Carissa Lee
•
Jan. 21, 2020
Arts & Life
Taking a look at Jordan Casteel’s ‘Returning the Gaze’
Dax Duong
•
Oct. 8, 2019
Arts & Life
Mesmerized by ‘The Melancholy Museum’
Dax Duong
•
Oct. 2, 2019
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