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comedy
The U.K.’s ‘The Office’ champions caustic cringe comedy
Olivia Popp
•
Oct. 20, 2017
Season five of ‘Orange is the New Black’ is a messy yet beautiful riot
Olivia Popp
•
July 27, 2017
Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed
Olivia Popp
•
June 9, 2017
Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty
Alessandro R.L. Hall
•
June 6, 2017
Does ‘Disrupt!’ disrupt? A few thoughts on Ram’s Head’s original musical
Madelaine Bixler
•
June 5, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
•
June 4, 2017
Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’
Olivia Popp
•
May 30, 2017
Getting raw and real with the season two finale of ‘Crazy Ex-Girlfriend’
Olivia Popp
•
May 15, 2017
‘Silence! The Musical’ brings raucous fun to San Francisco
Olivia Popp
•
April 11, 2017
‘One Day at a Time’? More like ‘immediately watch it all at once’
Olivia Popp
•
April 4, 2017
‘The Boss Baby’ director and producer on life, laughs and a love for animation
Olivia Popp
•
March 28, 2017
‘The Boss Baby’ makes a mess in the theater
Olivia Popp
•
March 25, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
Cardinal Nights brings the The Daily Show’s Michelle Wolf and SNL’s Michael Che to Campus
Claudia Heymach
•
Oct. 30, 2016
Young Love: Vincente Minnelli (‘Gigi’, ‘Reluctant Debutante’) at the Stanford Theatre
Carlos Valladares
•
Aug. 8, 2016
Film review: Whit Stillman’s costume comedy ‘Love & Friendship’ energizes 2016 cinema
Carlos Valladares
•
May 20, 2016
Film review: Buddy cop film “The Nice Guys” is a nice little romp through the ’70s
Raymond Maspons
•
May 20, 2016
Interview, Pt. II: Kate Beckinsale on Whit Stillman, “Love & Friendship” and all things Austen
Carlos Valladares
•
May 19, 2016
‘Live from New York’ falls short
Madelyne Xiao
•
May 29, 2015
A promising comedy career
Mina Shah
•
May 5, 2015
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