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electronic

Music
Charli XCX lying down in front of a green background, with the words "album review" hovering over her.

The ‘Brat summer’ is here to stay

Gabe Sachse
  •  
Aug. 9
The Grind
Because many of us rely heavily on our computers for so much of our work, the decision to keep an old one or splurge on a new one can be difficult to make. Sarayu Pai shares her observations from not only getting a new laptop, but from making the jump from PC to Mac, as well. (Photo: LINDA A. CICERO / Stanford News Service)

Observations after switching from a PC to a Mac

Sarayu Pai
  •  
Jan. 22, 2020
Canadian R&B singer Jahkoy. (Courtesy of CBC Music)

Trenton’s Playlist: Future beats of the week

Trenton Chang
  •  
Oct. 24, 2017
ODESZA performs at the 10th annual Decibal Festival (Courtesy of Emerald City EDM).

‘A Moment Apart’: ODESZA’s new groove

Trenton Chang
  •  
Oct. 12, 2017
(Photo by Catie Laffoon, courtesy of Page 1 Management)

Caleb Nott of Broods on movements that make you move

Trenton Chang
  •  
May 19, 2017
(Sarah Tirona, Flickr)

The Chainsmokers are the boring sort of bad

Jacob Kuppermann
  •  
April 13, 2017
Sampha performing in March 2017. (Lisa Bouten, Flickr)

Sampha steps into the spotlight on his stunning debut, ‘Process’

Jacob Nierenberg
  •  
April 3, 2017
Britt Daniel performing with Spoon. (Lee Gwyn, Flickr)

Spoon turn up the heat with ‘Hot Thoughts’

Jacob Nierenberg
  •  
April 3, 2017
(Courtesy of JOYRYDE)

Preview: Calling all RYDRZ

Trenton Chang
  •  
Feb. 13, 2017
(Blue Adventure, Wikimedia Commons)

‘The Nickelback of EDM’: Selling out and the price of fame

Trenton Chang
  •  
Feb. 6, 2017
(Sujalajus, Wikimedia Commons)

Artist Pantheon: Music best served chilled

Trenton Chang
  •  
Jan. 31, 2017
Bon Iver delivers a stunning performance at the Fox Theater in Oakland. (ANDREA LIM/The Stanford Daily)

Concert review: Justin Vernon broke up with melancholy, and it was awesome

Andrea Lim
  •  
Oct. 27, 2016
Bon Iver gives an impassioned performance at the Fillmore in San Francisco. (Moses, Wikimedia Commons)

Bon Iver’s ‘22, A Million’ finds beauty in uncertainty

Tyler Dunston
  •  
Oct. 4, 2016
(Courtesy of anyonlinyr, Wikimedia Commons)

‘A Moon Shaped Pool’: Radiohead returns with another anxious and mournful masterwork

Tyler Dunston
  •  
May 16, 2016
Anthony Gonzalez of M83. (Courtesy of Rama, Wikimedia Commons)

Album Review: M83’s most recent space odyssey

Tyler Dunston
  •  
May 11, 2016
(Bill Ebbesen, Wikimedia Commons)

On ‘The Colour in Anything,’ James Blake reconsiders melancholy

Benjamin Sorensen
  •  
May 10, 2016
(Courtesy Jason Persse, Wikimedia Commons)

Festival review: We see Coachella’s artists, and they see us too

Joshua Seawell
  •  
April 28, 2016
(Courtesy of David Grunzweig)

T∆PE GHØST’s explorations of sound as eternity

Benjamin Sorensen
  •  
Jan. 25, 2016
Brothers Freddy and Charlie Avis dropped "Spokesmachine" on January 7. (Courtesy of the artist).

Arswain Finds a New Voice in “Spokesmachine”

Clare Flanagan
  •  
Jan. 21, 2016
Arswain (left) and TAPE GHØST (right) working the boards. (KATLYN ALAPATI/The Stanford Daily)

Arswain and TAPE GHØST reshape dance music at Kairos

Tyler Dunston
  •  
Nov. 9, 2015
The Stanford Daily

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