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feminism
Reads
Text and the City: ‘Persepolis’ by Marjane Satrapi draws girlhood in ink and defiance
Melisa Ezgi Guleryuz
•
Nov. 16
Opinions
Beauty conformity at Stanford
Ariana Lee
•
Nov. 9
Reads
Text and the City: Welcome to the doll house
Melisa Ezgi Guleryuz
•
Oct. 28
University
Investigative reporter Jodi Kantor calls for greater transparency in Thursday talk
Alula Alderson
•
Oct. 10
Campus Life
Meet Estelle Freedman: Lifelong folk singer and feminist historian
Catherine Wu
•
March 4, 2025
Reads
Rage on the Page: ‘Soft Core’ by Brittany Newell, a fever dream of longing and loss
Melisa Ezgi Guleryuz
•
Feb. 26, 2025
Humor
From the Community: Proud Boys, you’re women now
Mason Barrett
•
Feb. 26, 2025
Reads
Feminist philosopher Judith Butler interrogates the novelistic form
Dyllan Han
•
Jan. 29, 2025
The Grind
Overheard at Stanford: ‘Men destrAHOYed this nation’
Linden Hansen
•
Nov. 18, 2024
Humor
The Daily Humor Section hires women
Jennifer Xin-Tsu Lin Levine
•
Nov. 14, 2024
Reads
Rage on the Page: Putting scandal on trial in ‘The Lost Honor of Katharina Blum’
Melisa Ezgi Guleryuz
•
Nov. 13, 2024
Reads
‘Sad girl poetry’ and the gendered political madness of 2024
Cate Burtner
•
Nov. 12, 2024
Reads
Rage on the Page: ‘My Year of Rest and Relaxation’ foregrounds the seductive appeal of oblivion
Melisa Ezgi Guleryuz
•
Nov. 3, 2024
Screen
Her POV: ‘Woman of the Hour’ frames skepticism as a silent killer of womenÂ
Blyss Cleveland
•
Oct. 29, 2024
Reads
Rage on the Page: ‘Nightbitch’ unleashes maternal rage
Melisa Ezgi Guleryuz
•
Oct. 15, 2024
Culture
‘Let my word take action’: Transformative feminist narratives at TAPS
Charlotte Kearns
•
Feb. 13, 2024
Screen
The new ‘Mean Girls’ falls flat, but not without something ‘fetch’ for Gen Z
Katie Mannion
and
Annie Virsik
•
Jan. 31, 2024
The Grind
On motherhood
Kathryn Zheng
•
Jan. 24, 2024
Screen
‘Good’ girlhood: Muslimahs usher a Riot Grrrl renaissance in ‘We Are Lady Parts’
Blyss Cleveland
•
Jan. 10, 2024
Culture
‘Die Fledermaus’ cast steals audiences’ hearts at matinee with feminist take on classic opera comedy
Ellen Abraham
•
Feb. 13, 2023
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