memory

The Grind
a notebook and pen and mug on a table, illustrated

Aaira’s Adventures: Neon socks under a dinner table 

Aaira Goswami
  •  
April 5
Magazine
A son’s letter to his father with Alzheimer’s. (Graphic: CHINGYOUNG SHAO/The Stanford Daily)

Dear 아빠

Joshua Kim
  •  
March 9
The Grind
illustration of a shelf with books, a pair of glasses, headphones, a globe, and a framed photo

Asking Stanford: What year do you think about the most?

Alaina Zhang, Megan D'Souza, Kelly Wang, Daniel Xu, Angikar Ghosal, Kaleb Gjestson, Melita D’Souza and Lily Zou
  •  
Feb. 10
The Grind
"Forgetting is as fundamental to human existence as breathing, as inevitable as death itself," writes Baroudi. (PHOTO: Sofia Baroudi/The Stanford Daily)

Against Forgetting: Why we write, why I write

Sofia Baroudi
  •  
Jan. 5
Reads
Daniel Xu's column, "And So We Thought," reflects on the media ecosystem we live in. (Graphic: MEI KNUTSON/The Stanford Daily)

And So We Thought: There is a universe of ideas in ‘Invisible Cities’

Daniel Xu
  •  
Nov. 11
The Grind
Black squirrel perched on a tree, nibbling on an acorn

Asking Stanford: What about Stanford reminds you of home?

Hannah Zingapan, Lily Zou, Iris Hwang, Audrey Kim, Mia Jong, Kaylee Chan and Sebastian Strawser
  •  
Oct. 7
The Grind
Losing the em dash to ChatGPT has marked a turning point for trust in stories, Sokamoto writes. (Courtesy of Wikimedia Commons)

In memory of ‘—’

Emi Sakamoto
  •  
Oct. 1
Magazine
Blue background of a darker blue hill.

Stanford, the stars and the connections that bind us

Lara Seyahi
  •  
Jan. 31, 2025
The Grind
a graphic of colorful journals stacked inside of a desk drawer

Inside the Junk Drawer: My journals

Kaylee Chan
  •  
Oct. 1, 2024
The Grind
A picture of a tall pink house in the middle of a blue house, half in frame, and a brown house, half in frame.

Dear Diary: The pink house

Amanda Altarejos
  •  
Jan. 24, 2024
Fiction
Woman embraces the outline of a man (illustration)

Auden

Michelle Fu
  •  
May 28, 2023
Culture
A wall of paintings with water projected in the background.

Tracing family history through waterlines, Bhumikorn Kongtaveelert’s ’25 art offers hope and preservation amidst climate uncertainty

Blyss Cleveland
  •  
May 2, 2023
The Grind
Lake Lag at night. The lights on the shore are blurry.

‘Between the Black and White’: F major

Rosina Lin
  •  
April 24, 2023
The Grind
A human head drawn in a series of concentric outlines. The center-most outline is bright.

Life with mental illness: Things I’ve learned from places I’ve been

Mira Ravi
  •  
April 11, 2023
The Grind
The 2023 earthquake in Turkey left much of the country's infrastructure devastated. (Wikimedia Commons)

Heartache: Earthquakes in my country

Lara Seyahi
  •  
Feb. 13, 2023
The Grind
The sun rises over Half Moon Bay. On the left there is an empty road and on the right there is the ocean. In the foreground there is a sign reading "Malcolm: show up and be kind."

Three short hikes and a life down the end

Brandon Kim
  •  
Feb. 12, 2023
The Grind
Two sisters watch the sunrise, standing together on a beach. Both have an arm raised in a peace sign.

‘People Watching’: Sisterhood

Christy Wang
  •  
Jan. 8, 2023
The Grind
Walkway in engineering quad

Observer: Musings

Benjamin Midler
  •  
Dec. 1, 2022
The Grind
Someone sits at a round table overflowing with potted plants and cups. The two dark bars on the left and right make it seem like we are peeking through a door.

Paper scraps: Hey honey or something

Isabelle Edgar
  •  
Oct. 31, 2022
Reflections & Advice
A glass jar with a polaroid photo inside. The polaroid photo is of a white paper against black tiles with "memories" written on it.

I discovered my memories weren’t all real. It made me love psychology.

Laurie Chow
  •  
Sept. 25, 2022
The Stanford Daily

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