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Painting
The Grind
The Anatomy of Letting Go: Reading Munch’s ‘Separation’
Merve Ondogan
•
March 2
Culture
Alteronce Gumby at the Anderson Collection casts earthly elements in a new light
Grace Liang
•
Feb. 15
Video
11th annual Undergraduate Juried Exhibition wraps up final week on display
Paige Plater
•
Dec. 14
The Grind
Color Field underpass
Kushal Thaman
•
Oct. 22
The Grind
Anachronisms in the Legion of Honor
Lara Seyahi
•
Oct. 13
The Grind
Reflections on the Cantor’s ‘Penitent Magdalene’
Lara Seyahi
•
May 11
Arts & Life
Winslow Homer paints a Darwinian drama
Weili Jin
•
May 1
Culture
To paint like a child again: Exploring Cheonggae Ilsu Cha’s exhibition at the East Asian Library
Vivian Liang
•
March 11, 2025
Culture
What Caspar David Friedrich can teach us about waiting
Weili Jin
•
Feb. 24, 2025
Culture
Looking and Feeling: The psychological intensity of an unusual Parisian portrait
Weili Jin
•
Jan. 29, 2025
Culture
From micro to macro: Transforming biopigments into art pieces
Derrick Chen
•
Dec. 1, 2024
Culture
Looking and Feeling: Moonlight on the River Thames brings tranquility
Weili Jin
•
Nov. 10, 2024
Culture
Looking and Feeling: Clarity in Mehretu’s atlas of chaos
Weili Jin
•
Oct. 24, 2024
The Grind
Oscillations of life
Lara Seyahi
•
May 22, 2024
Science & Technology
Rx? More like ARTx: Stanford launches Art Prescriptions for student wellness
Shreya Komar
•
April 4, 2024
Culture
Cardinal Canvas: First-year MFA showcase celebrates community ‘&’ identity
Adam Golomb
•
Feb. 29, 2024
Culture
‘Shifting Fields’: A colorful escape through Chinese painting
Cate Burtner
•
Feb. 8, 2024
The Grind
Dear Diary: Sunny days in winter
Amanda Altarejos
•
Nov. 30, 2023
Culture
Your art world questions answered: What are some of Cantor’s recent acquisitions?
Christina Shen
•
Nov. 13, 2022
Culture
L. Song Wu’s ‘Gleaming Things’ is a provocative study of the fictional and self
Alexandra Blum
•
Nov. 10, 2022
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