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review
Spencer Finch’s ‘Betelgeuse’ inspires childlike awe
Angelica Jopling
•
Oct. 16, 2017
Three years in the making: ODESZA drop singles from upcoming album
Trenton Chang
•
May 12, 2017
Katy Perry gets pop-litical in new single, ‘Chained to the Rhythm’
Dante Laird
•
Feb. 14, 2017
‘The Handmaiden’ at Aquarius excels, but not in the way you would think
Elaine Kim
•
Nov. 10, 2016
Marvel’s ‘Doctor Strange,’ or: How I Learned to Stop Worrying and Like the MCU
Olivia Popp
•
Nov. 4, 2016
‘Oldboy’ director’s ‘The Handmaiden’ is a tough, smart watch
Rey Barceló
•
Oct. 28, 2016
Surprise! The Review is wrong about voting
Terence Zhao
•
May 11, 2016
Festival review: West Coast hip-hop steals the show at Coachella
Benjamin Sorensen
•
April 28, 2016
Festival review: We see Coachella’s artists, and they see us too
Joshua Seawell
•
April 28, 2016
Festival review: At Coachella, worlds collide
Clare Flanagan
•
April 28, 2016
NTUE Orchestra closes the distance between East and West at Dink
Serena Wong
•
April 10, 2016
The White Civ’s burden
From the Community
•
Feb. 22, 2016
Arts & Life
‘Gaieties: Chem 31 XXX’ is the best class all quarter
Madeline MacLeod
•
Nov. 20, 2015
Sheryl Crow dazzled Bing Concert Hall audience on Friday
Sophia Dao
•
Oct. 21, 2014
Lomita Arts and Culture Blog
FKA Twigs album review
Samantha Neuber
•
Sept. 17, 2014
Linguistics professor studies word choice in restaurant reviews
Irene Hsu
•
April 30, 2014
Tiny Desk Concerts bring intimate performances to NPR
Lindsay Mewes
•
Nov. 22, 2013
Uneven “Thor” sequel disappoints dedicated fans
Melissa Gordon
•
Nov. 7, 2013
Old Features
Erratic performances make “Ender’s Game” a mediocre adaptation
Caleb Smith
•
Nov. 7, 2013
Arts & Life
Reviews: ‘channel ORANGE’
Natasha Avery
•
July 12, 2012
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