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Stanford TAPS

Culture
Image of three silhouettes dancing. Dance minor graphic.

From Chassé to Sashay: A swing through Stanford’s dance minor

Dakota Gelman
  •  
April 30
Arts & Life
Chris Yoon ('19) conducts the fourteen-person "Cabaret" orchestra, decked out in party hats (THERESE SANTIAGO/The Stanford Daily).

In TAPS’ ‘Cabaret,’ even the orchestra is beautiful

Natalie Francis
  •  
May 20, 2019
Sterling K. Brown '98. (Courtesy of Nathan Johnson)

Golden Globe winner Sterling K. Brown to speak at 2018 Commencement

Yasmin Samrai
  •  
Feb. 12, 2018
unspecified

‘Saint Joan of the Stockyards’ gives power to the people

Alessandro R.L. Hall
  •  
May 5, 2017
Photo courtesy of Stefanie Okuda.

TAPS’s ‘The Tempest’ conjures a storm of originality and wit

Alli Cruz
  •  
March 3, 2017
Davis Leonard in Women* in Theater's "Mammaries of Tiresias." Photo courtesy of Frank Chen.

Theater review: “The Mammaries of Tiresias” shatters our patriarchal society

Elizabeth Gerson
  •  
Feb. 23, 2017
(Courtesy of Frank Chen)

Theater review: ‘Spatial Shift’ and the elegance of human form

Alejandra Aguilar
  •  
May 28, 2016
The cast of "Oh, What a Lovely War." (Courtesy of Stanford TAPS)

Theater review: “Oh, What a Lovely War!” delivers an academically-envisioned but slapdash performance

Olivia Witting
  •  
March 9, 2016
(Courtesy of Stanford TAPS)

Theater review: ‘White Power: A Comedy’ hits home

Madelaine Bixler
  •  
Feb. 18, 2016
Luz Minerva Jiménez Ruvalcaba and the cast of "The House on Mango Street." (Courtesy of Stanford TAPS)

Theater review: ‘The House on Mango Street’ explores the Chicano experience

Madeline MacLeod
  •  
Feb. 12, 2016
AL.022415.RGDead

TAPS’ ‘Rosencrantz And Guildenstern Are Dead,’ an all-around fantastic production

Steve Rathje
  •  
Feb. 23, 2015
Gigi Otálvaro-Hormillosai in her solo performance piece, "Intertwining Roots." Photo by Frank Chen.

Ph.D. student Otálvaro-Hormillosa provokes reflection in her piece about family ties

Ian Anstee
  •  
Feb. 12, 2015
(l-r) Kira Alqueza '18 as Julie, Amabel Stokes '17 as Nina, and Maryam Attai as Nora. Photo by Frank Chen.

‘Parts for Women Written by Men’ reevaluates female identity in theater

Ian Anstee
  •  
Feb. 11, 2015
Courtesy of Frank Chen.

Swan Lake Recalibrated: a vaporous performance

Sean Christofferson
  •  
March 6, 2014
The Stanford Daily

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