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shakespeare

Culture
A white woman sits on the floor, distressed, as a white man sits in a chair looking at her. The set resembles a modern therapist's office

Falling out of love in ‘Juliet and Romeo’

Lydia Wei
  •  
Feb. 5
The Grind
Colorful shoe on the floor

Dear Boomer: Lost touch

Helen Hudson
  •  
Jan. 29
Screen
College-aged Andre Braugher onstage in the spotlight. Other students crawl toward him, lit in red.

Remembering Andre Braugher ’84: A magnificent man and his magnificent work

Cameron Duran
  •  
Dec. 23
Culture
On a darkened stage, seven actors stand facing each other in a visible conflict

Why Not Theatre’s ‘Prince Hamlet’ revolutionizes accessibility and gender identity in performing arts

Ellie Wong
  •  
Oct. 30, 2022
Reads
A red curved arrow pointing to "Either Or" against a yellow background

Elif Batuman’s ‘Either/Or’ is endearingly tedious

Lily Zhou
  •  
May 25, 2022
The Grind
(Photo: HEATHER MACGUIRE/Unsplash)

Lake Shore Drive: Upper school

Matthew Turk
  •  
March 17, 2021
In her landmark essays "A Room of One's Own" and "Professions for Women," Virginia Woolf critiques female archetypes (courtesy of Wikimedia Commons).

Woolf, witches and wives: Coming of age through archetype

Claire Francis
  •  
Feb. 27, 2019
The Stanford Shakespeare Company presents "A Midsummer Night's Dream" (courtesy of Frank Chen).

‘A Midsummer Night’s Dream’ delves into the trials of love through fantasy

Shana E. Hadi
  •  
Feb. 22, 2019
Although it is commonly cited as a great love story, Shakespeare's "Romeo and Juliet" really isn't a romance (MARK YORK/The Stanford Daily).

‘Romeo and Juliet’ Is NOT a Love Story: CHANGE MY MIND!

Mark York
  •  
Oct. 25, 2018
Auditioning for a cappella groups like Talisman can be both exciting and unnerving (MCKENZIE LYNCH/The Stanford Daily).

Four-part harmony: Stanford students share 2018 a cappella audition experiences

Natalie Francis
  •  
Oct. 23, 2018
Courtesy of Marceau Films/United Artists

Welles’ ‘Othello’ is a beautiful, painful tragedy

Amir Abou-Jaoude
  •  
Jan. 26, 2018
Courtesy of Teatro Matacandelas

Marked bodies and the popularity of literary tattoos

Gracie Newman
  •  
Jan. 23, 2018
Courtesy of David Matthew Parker

Absurdist fiction reads to catch this weekend

Arts & Life Reads beat writers
  •  
Nov. 30, 2017
Arts & Life
Hannah Miller '19 is the eponymous 'Hamlet' in [wit]'s fall production. (Courtesy of Frank Chen)

[wit]’s production of ‘Hamlet’ brings ‘scorched earth’ to a whole new level

Olivia Popp
  •  
Nov. 17, 2017
“Ambition's debt is paid!” proclaims Brutus (Danforth Comins, with knife) after the assassination of Caesar (Armando Durán, in chair), with Metellus Cimber (Ted Deasy), Cassius (Rodney Gardiner) and Caska (Stephen Michael Spencer) in the Oregon Shakespeare Festival's 2017 production of 'Julius Caesar' (Photo by Jenny Graham).

OSF pt. 1: Shaking up Shakespeare with ‘Henry IV, Part 1’ and ‘Julius Caesar’

Olivia Popp
  •  
Aug. 10, 2017
Photo courtesy of Stefanie Okuda.

TAPS’s ‘The Tempest’ conjures a storm of originality and wit

Alli Cruz
  •  
March 3, 2017
Mina Shah

Enough of Shakespeare

Mina Shah
  •  
Oct. 18, 2015
Photo Courtesy of Frank Chen.

Stan Shakes breathes new life into ‘Much Ado about Nothing’

Madelaine Bixler
  •  
May 26, 2015
The Stanford Shakespeare Company performed 'A Winter's Tale' last year -- the performance earned the group a large donation. (FRANK CHEN/The Stanford Daily)

Shakespeare Company receives large donation because of play last spring

Pallavi Krishnarao
  •  
May 25, 2015
AL.040815.wiseau

‘The Room’ director talks new sitcom project, directorial influences

Madelyne Xiao
  •  
April 7, 2015
The Stanford Daily

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