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Critic’s Pick

Arts & Life

Taking notes from a trio of Stanford music majors

Timothy Dai
  •  
Dec. 5, 2019
Arts & Life

IQFF, part 1: The breathtakingly intimate ‘And Then We Danced’

Olivia Popp
  •  
Oct. 17, 2019
Arts & Life

Music + X: Politics

Adrian Liu and Elizabeth Lindqwister
  •  
Sept. 24, 2019
Arts & Life

‘Parasite’ will have you buzzing to the #Bonghive

Olivia Popp
  •  
Sept. 17, 2019
Arts & Life

A ‘Beautiful’ look at the life of Carole King

Chloe Wintersteen
  •  
June 3, 2019
Arts & Life

SCOr picks up ‘Good Vibrations’

Caroline Baker
  •  
May 31, 2019
Arts & Life
BTS stands in white shirts and black jackets on a stage holding a golden disk award.

‘You know BTS?’

Izzy Angus
  •  
May 24, 2019
Arts & Life

‘Monstress’ melds the marvelous and melancholic

Shana E. Hadi
  •  
May 24, 2019
Arts & Life

‘Booksmart’ gets an A+

Grace Zhou
  •  
May 23, 2019
Arts & Life

Kali Uchis and Jorja Smith rejuvenate Frost

Jacob Kuppermann
  •  
May 20, 2019
Arts & Life

‘Knock Down the House’ is a must-watch in the current political climate

Annie Chang
  •  
May 17, 2019
Arts & Life

‘The Women’ is about far more than femininity

Amir Abou-Jaoude
  •  
May 13, 2019
Arts & Life

A delightful storytelling evening with Madeline Miller

Cooper Veit
  •  
May 13, 2019
Arts & Life

‘Old Town Road’ considers the politics of country music

Zora Ilunga-Reed
  •  
May 6, 2019
Arts & Life

Activism crosses borders in ‘Ai Weiwei: Yours Truly’

Daniel Wu
  •  
April 29, 2019
Arts & Life

‘Old Town Road’ and the cowboy myth

Jacob Kuppermann
  •  
April 29, 2019
Arts & Life

‘The Addams Family’ is crazy, kooky and compelling

David J. Florez R.
  •  
April 26, 2019
Arts & Life

SVSA Culture Night celebrates customs and creates community

Dax Duong
  •  
April 25, 2019
Arts & Life

‘Guava Island’ is the new musical model

Andrew Tan
  •  
April 24, 2019
Arts & Life

In ‘Shame,’ Ingmar Bergman examines evil in ordinary people

Amir Abou-Jaoude
  •  
April 22, 2019
The Stanford Daily

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